Luisa Gardini, DURATA (2011-2024)

Throughout her career spanning over fifty years, Luisa Gardini’s artistic language has evolved through a grammar of signs, materials, and forms, continuously reshaped and manipulated to create spontaneous associations and authentic images. From her debut in the 1950s to her most recent works, her oeuvre is marked by an intimate, free, and intuitive selection and combination of diverse materials.

From an early age, Gardini nurtured a passion for music, particularly jazz improvisation, while also progressively exploring the creative rhythms of Italian classical composers such as Pergolesi and Rossini. Much like musical scores built around various movements and tempos — grave, adagio, rapid — her paintings, drawings, collages, and sculptures emerge from a mark-making process devoid of explicit semantic meaning and from the dense layering of materials. In her sculptures and assemblages, paper, textiles, and a wide range of surfaces — ranging from light as paper to weighty as bronze — acquire new dimensions, claiming their space and time with renewed corporeality. Engaging with the experimental practices that shaped the Avant-Garde movements throughout the 20th century, Gardini’s body of work unfolds like a diary of quick annotations and intuitions, serving as a testament to her presence in the world and her belonging to the here and now. Her works function as resonating chambers, where gestures produce harmonious and dissonant interactions between materials and objects that, like living bodies, assert their place within everyday life. In this way, she crafts images and forms infused with a distinctive sensuality, emanating from the matter itself as it evolves and alters its original features.

Through close-ups of anatomical details—hands, nails, lips—traced illegible signs, and textured surfaces primarily in monochrome, Gardini expresses her creative freedom and curiosity about the fate of forms and objects, which sometimes vanish and other times resurface. A poetics of fragmentation and improvisation subtly permeates her recent works. Like notes in the margins, the works on display offer a glimpse into Gardini’s production from 2011 to 2024. The artist presents newly created works alongside others developed over a longer period, pieces she has continually refined over the years. Today, these works represent her persistent return to form and matter, embodying an ongoing potential for metamorphosis, ultimately recording the duration and unpredictable unfolding of inner time.