THE ITALIAN ART GUIDE

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Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy

3 Exhibitions to See in June

3 Exhibitions to See in June Our guide to exhibitions in Italy By Marianna Reggiani 02.06.2026 Clicca qui per leggere questo articolo in italiano The vitality of contemporary art lies in its ability to provoke doubt and confusion, to be uncomfortable and unsettling, not to comfort its audience but to challenge and destabilize it. At the same time, within popular

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3 Exhibitions to See in May

3 Exhibitions to See in May Biennale Arte 2026, Collateral Events By Marianna Reggiani 12.05.2026 Clicca qui per leggere questo articolo in italiano The strike staged by around thirty national pavilions in response to the appeal launched by ANGA (Art Not Genocide Alliance), together with the resignation of the jury just days before the opening ceremony — which was consequently

Read More »

3 Exhibitions to See in April

3 Exhibitions to See in April Our Guide to the Exhibitions in Italy By Marianna Reggiani 07.04.2026 Clicca qui per leggere questo articolo in Italiano There is no place where contemporary art cannot be found: in disorder, in mistakes, in the ugliness of the world. It inhabits the everyday, doesn’t wait for the right moment, and has much to teach

Read More »

3 Exhibitions to See in March

3 Exhibitions to See in March Our guide to exhibitions in Italy Di Marianna Reggiani 03.03.2026 Clicca qui per leggere questo articolo in Italiano Anger can unite more powerfully than love. It propels us toward action, toward movement — in the best of cases, toward change. Love, instead — like happiness and all forms of contentment — invites us to

Read More »

6 Art City Exhibitions You Can Still Visit (Until Spring)

6 Art City Bologna Exhibitions You Can Still Visit (Until Spring) By Marianna Reggiani 10.02.2026 Clicca qui per leggere questo articolo in italiano The 14th edition of Art City has just come to a close—the annual weekend that, coinciding with Arte Fiera, transforms the city of the Two Towers into a stage for contemporary art. More than three hundred events—ranging

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3 Exhibitions to See in February

3 Exhibitions to See in February Our guide to exhibitions in Italy By Marianna Reggiani 02.02.2026 Clicca qui per leggere questo articolo in italiano Among the perhaps most surprising powers of visual art is its ability to show, in ever new ways, that behind the most personal forms of expression there almost always lies a collective feeling.Inspiration, need, intuition may

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3 Exhibitions to See in January

3 Exhibitions to See in January Our guide to exhibitions in Italy By Marianna Reggiani 06.01.2026 Clicca qui per leggere questo articolo in italiano In Roman mythology, January is symbolized by Janus, the protector of beginnings and transitions. He has a torso and two faces looking in opposite directions: beginning and end, entrance and exit, before and after. He marks

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3 Exhibitions to See in December

3 Exhibitions to See in December Our guide to exhibitions in Italy Di Marianna Reggiani 02.12.2025 Clicca qui per leggere questo articolo in italiano December is the month of happiness at all costs. You can find it discounted in stores, for pennies at market stalls, covered in glitter in the most refined shops. It seems everyone buys it and wants

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3 Exhibitions to See in November

3 Exhibitions to See in November Our guide to exhibitions in Italy By Marianna Reggiani 04.11.2025 Clicca qui per leggere questo articolo in italiano Amid the frenzy of Artissima and Art Basel Paris, a season of openings, previews, and glittering vernissages, we propose three exhibitions for those who look to contemporary art for something calmer and less marketable: understanding, honesty,

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3 Exhibitions to See in June

3 Exhibitions to See in June Our guide to exhibitions in Italy By Marianna Reggiani 02.06.2026 Clicca qui per leggere questo articolo in italiano The vitality of contemporary art lies in its ability to provoke doubt and confusion, to be uncomfortable and unsettling, not to comfort its audience but to challenge and destabilize it. At the same time, within popular

Read More »

3 Exhibitions to See in May

3 Exhibitions to See in May Biennale Arte 2026, Collateral Events By Marianna Reggiani 12.05.2026 Clicca qui per leggere questo articolo in italiano The strike staged by around thirty national pavilions in response to the appeal launched by ANGA (Art Not Genocide Alliance), together with the resignation of the jury just days before the opening ceremony — which was consequently

Read More »

3 Exhibitions to See in April

3 Exhibitions to See in April Our Guide to the Exhibitions in Italy By Marianna Reggiani 07.04.2026 Clicca qui per leggere questo articolo in Italiano There is no place where contemporary art cannot be found: in disorder, in mistakes, in the ugliness of the world. It inhabits the everyday, doesn’t wait for the right moment, and has much to teach

Read More »

3 Exhibitions to See in March

3 Exhibitions to See in March Our guide to exhibitions in Italy Di Marianna Reggiani 03.03.2026 Clicca qui per leggere questo articolo in Italiano Anger can unite more powerfully than love. It propels us toward action, toward movement — in the best of cases, toward change. Love, instead — like happiness and all forms of contentment — invites us to

Read More »

6 Art City Exhibitions You Can Still Visit (Until Spring)

6 Art City Bologna Exhibitions You Can Still Visit (Until Spring) By Marianna Reggiani 10.02.2026 Clicca qui per leggere questo articolo in italiano The 14th edition of Art City has just come to a close—the annual weekend that, coinciding with Arte Fiera, transforms the city of the Two Towers into a stage for contemporary art. More than three hundred events—ranging

Read More »

Letter to an Institution: The Present History of the Venice Art Biennale

Letter to an Institution: The Present History of the Venice Art Biennale By Kamil Sanders 23.06.2026 Among the authors selected through the open call for critical essays on the 61st Venice Biennale. Clicca qui per leggere questo articolo in italiano 1 The historical moment from which this visual assemblage takes shape is the 34th Biennale. The moment captured is June

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Namsal Siedlecki. Shape in Time

Namsal Siedlecki. Shape in Time By Dobroslawa Nowak 19.06.2026 An excerpt from Dobrosława Nowak’s essay published in hus magazine SUMMER (2) 2026 Clicca qui per leggere questo articolo in italiano Sculpture remains in a constant relationship with time and its surroundings in Namsal Siedlecki’s practice. The result of the artist’s actions is often not a clearly defined, stable form, but

Read More »

(ENG) Somalia: First National Pavilion at the Venice Biennale Arte

(ENG) Somalia: First National Pavilion at the Venice Biennale Arte By Dobroslawa Nowak 26.05.2026 Clicca qui per leggere questo articolo in italiano […] you have to understand,that no one puts their children in a boatunless the water is safer than the landno one burns their palms under trainsbeneath carriagesno one spends days and nights in the stomach or a truckfeeding

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(ENG) The Cultural Project Tramandars: What Must Continue

The Cultural Project Tramandars: What Must Continue By Maria Vittoria Pinotti 19.05.2026 Clicca qui per leggere questo articolo in italiano What might appear to many as an irrelevant connection — between the knowledge of the folk practices of those living on the slopes of Vesuvius and the artist residency Tramandars, founded in 2017 in Borgo Casamale, the historic center of

Read More »

(ENG) Still/Moving Korean Video Art Based on Performances

(ENG) Still/ Moving: Korea Video Art Based on Performances By Dobroslawa Nowak 28.04.2026 Clicca qui per leggere questo articolo in italiano As vast as Rome’s artistic offerings may be, those who have seen many exhibitions sometimes feel the urge to step away from the various expressions of the European school and turn instead toward shows with a viscerally distinct approach—where

Read More »

The Dimension of Research at The Real Academia de España en Roma

The Dimension of Research at The Real Academia de España en Roma Studio Visits With Federico Clavarino and Miguel Fructuoso By Maria Vittoria Pinotti 21.04.2026 Clicca qui per leggere questo articolo in italiano Which foreign art institutions are able to actively and meaningfully shape the cultural environment of a historic metropolis such as Rome? An unruly and visionary city, Rome

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Giuditta Branconi, Cannon Fodder at the Collezione Maramotti

Giuditta Branconi, Cannon Fodder at the Collezione Maramotti By Marianna Reggiani 14.04.2026 Clicca qui per leggere questo articolo in italiano The canvases overflow in Cannon Fodder, the first solo exhibition by Giuditta Branconi in an institutional space. Through a painting practice based on the accumulation of signs and symbols, the young artist saturates the space, erasing any hierarchy between styles,

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Martina Zanin: Every Caress, a Blow. Between Terror and Care

Martina Zanin: Every Caress, a Blow. Between Terror and Care Di Dobroslawa Nowak 24.03.2026 Clicca qui per leggere questo articolo in italiano At the exhibition Every Caress, a Blow, on view at the Fondazione Pastificio Cerere in Rome through April 18, 2026, and curated by Antonio Grulli, Martina Zanin explores the complexity of relational dynamics.The artist observes, from a position

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Why Collect Art Today?

Why Collect Art Today? Maria Vittoria Pinotti in conversation with Clara Datti, president and co-founder of the D’ARC Foundation By Maria Vittoria Pinotti 17.03.2026 Clicca qui per leggere questo articolo in italiano This is not the story of a collection, nor does it aim to recount the strategic and market choices that some believe shape the making of an art

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Letter to an Institution: The Present History of the Venice Art Biennale

Letter to an Institution: The Present History of the Venice Art Biennale By Kamil Sanders 23.06.2026 Among the authors selected through the open call for critical essays on the 61st Venice Biennale. Clicca qui per leggere questo articolo in italiano 1 The historical moment from which this visual assemblage takes shape is the 34th Biennale. The moment captured is June

Read More »

Namsal Siedlecki. Shape in Time

Namsal Siedlecki. Shape in Time By Dobroslawa Nowak 19.06.2026 An excerpt from Dobrosława Nowak’s essay published in hus magazine SUMMER (2) 2026 Clicca qui per leggere questo articolo in italiano Sculpture remains in a constant relationship with time and its surroundings in Namsal Siedlecki’s practice. The result of the artist’s actions is often not a clearly defined, stable form, but

Read More »

(ENG) Somalia: First National Pavilion at the Venice Biennale Arte

(ENG) Somalia: First National Pavilion at the Venice Biennale Arte By Dobroslawa Nowak 26.05.2026 Clicca qui per leggere questo articolo in italiano […] you have to understand,that no one puts their children in a boatunless the water is safer than the landno one burns their palms under trainsbeneath carriagesno one spends days and nights in the stomach or a truckfeeding

Read More »

(ENG) The Cultural Project Tramandars: What Must Continue

The Cultural Project Tramandars: What Must Continue By Maria Vittoria Pinotti 19.05.2026 Clicca qui per leggere questo articolo in italiano What might appear to many as an irrelevant connection — between the knowledge of the folk practices of those living on the slopes of Vesuvius and the artist residency Tramandars, founded in 2017 in Borgo Casamale, the historic center of

Read More »

(ENG) Still/Moving Korean Video Art Based on Performances

(ENG) Still/ Moving: Korea Video Art Based on Performances By Dobroslawa Nowak 28.04.2026 Clicca qui per leggere questo articolo in italiano As vast as Rome’s artistic offerings may be, those who have seen many exhibitions sometimes feel the urge to step away from the various expressions of the European school and turn instead toward shows with a viscerally distinct approach—where

Read More »

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A Selection of Featured Galleries: / Una selezione di gallerie in evidenza:

A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma

Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano

Litostudio, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia

A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
lorenzelli arte, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia

We collaborate with offseen, a platform dedicated to mapping exhibitions and exhibition spaces. The project collects and geolocates current and past exhibitions, making them accessible through an interactive map and an archive.

This collaboration helps expand the visibility of exhibitions and provides a tool for navigating the contemporary exhibition landscape. Read More

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Curated Section / Sezione Curata

Curated Section / Sezione Curata

Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti

Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti

Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti

Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti

1 Giulio Catelli, Le candele e l'uccellino, 2025, inchiostro su carta 30x21 cm, Courtesy Galleria Richter Fine Art, Roma

Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma

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