Always keeping you in the loop with the curated selection of Italy's best art exhibitions
Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti By Marianna Reggiani 14.04.2026 Clicca qui per leggere questo articolo in italiano The canvases overflow in Cannon Fodder, the first solo exhibition by Giuditta Branconi in an institutional space. Through a painting practice based on the accumulation of signs and symbols, the young artist saturates the space, erasing any hierarchy between styles,
Giuditta Branconi, Cannon Fodder alla Collezione Maramotti
Giuditta Branconi, Cannon Fodder alla Collezione Maramotti Di Marianna Reggiani 14.04.2026 Click here to read this article in English Le tele traboccano nella mostra Cannon Fodder, prima mostra personale di Giuditta Branconi in uno spazio istituzionale. Attraverso una pittura basata sull’accumulo di segni e simboli, la giovane artista satura lo spazio, annullando ogni gerarchia tra stili, soggetti, dimensioni. Il riferimento
3 Exhibitions to See in April
3 Exhibitions to See in April Our Guide to the Exhibitions in Italy By Marianna Reggiani 07.04.2026 Clicca qui per leggere questo articolo in Italiano There is no place where contemporary art cannot be found: in disorder, in mistakes, in the ugliness of the world. It inhabits the everyday, doesn’t wait for the right moment, and has much to teach
3 mostre da vedere ad aprile
3 mostre da vedere ad aprile La nostra guida alle mostre in Italia Di Marianna Reggiani 07.04.2026 Click here to read this article in English Non c’è luogo in cui l’arte contemporanea non si possa trovare: nel disordine, negli errori, nelle brutture del mondo. Abita il quotidiano, non aspetta il momento giusto, e avrebbe molto da insegnare ai perfezionisti —
Martina Zanin: Every Caress, a Blow. Tra terrore e cura
Martina Zanin: Every Caress, a Blow. Tra terrore e cura Di Dobroslawa Nowak 24.03.2026 Click here to read this article in English Alla mostra Every Caress, a Blow (Ogni carezza, un colpo) presso la Fondazione Pastificio Cerere a Roma — aperta fino al 18 aprile 2026 e a cura di Antonio Grulli — Martina Zanin esplora la complessità delle dinamiche
Martina Zanin: Every Caress, a Blow. Between Terror and Care
Martina Zanin: Every Caress, a Blow. Between Terror and Care Di Dobroslawa Nowak 24.03.2026 Clicca qui per leggere questo articolo in italiano At the exhibition Every Caress, a Blow, on view at the Fondazione Pastificio Cerere in Rome through April 18, 2026, and curated by Antonio Grulli, Martina Zanin explores the complexity of relational dynamics.The artist observes, from a position
Why Collect Art Today?
Why Collect Art Today? Maria Vittoria Pinotti in conversation with Clara Datti, president and co-founder of the D’ARC Foundation By Maria Vittoria Pinotti 17.03.2026 Clicca qui per leggere questo articolo in italiano This is not the story of a collection, nor does it aim to recount the strategic and market choices that some believe shape the making of an art
Perché collezionare arte oggi?
Perché collezionare arte oggi? Maria Vittoria Pinotti in conversazione con Clara Datti, presidente e co-fondatrice della Fondazione D’ARC Di Maria Vittoria Pinotti 17.03.2026 Click here to read this article in English Questa non è la storia di una collezione, né intende essere il racconto di scelte strategiche e di mercato che alcuni credono si celino dietro una raccolta d’arte. Si
3 Exhibitions to See in March
3 Exhibitions to See in March Our guide to exhibitions in Italy Di Marianna Reggiani 03.03.2026 Clicca qui per leggere questo articolo in Italiano Anger can unite more powerfully than love. It propels us toward action, toward movement — in the best of cases, toward change. Love, instead — like happiness and all forms of contentment — invites us to
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti By Marianna Reggiani 14.04.2026 Clicca qui per leggere questo articolo in italiano The canvases overflow in Cannon Fodder, the first solo exhibition by Giuditta Branconi in an institutional space. Through a painting practice based on the accumulation of signs and symbols, the young artist saturates the space, erasing any hierarchy between styles,
Giuditta Branconi, Cannon Fodder alla Collezione Maramotti
Giuditta Branconi, Cannon Fodder alla Collezione Maramotti Di Marianna Reggiani 14.04.2026 Click here to read this article in English Le tele traboccano nella mostra Cannon Fodder, prima mostra personale di Giuditta Branconi in uno spazio istituzionale. Attraverso una pittura basata sull’accumulo di segni e simboli, la giovane artista satura lo spazio, annullando ogni gerarchia tra stili, soggetti, dimensioni. Il riferimento
3 Exhibitions to See in April
3 Exhibitions to See in April Our Guide to the Exhibitions in Italy By Marianna Reggiani 07.04.2026 Clicca qui per leggere questo articolo in Italiano There is no place where contemporary art cannot be found: in disorder, in mistakes, in the ugliness of the world. It inhabits the everyday, doesn’t wait for the right moment, and has much to teach
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Recently published on offseen:
5 offseen Exhibitions You Need to See in March
5 offseen Exhibitions You Need to See in March
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti
Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma
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