Always keeping you in the loop with the curated selection of Italy's best art exhibitions
Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy
3 Exhibitions to See in January
3 Exhibitions to See in January Our guide to exhibitions in Italy By Marianna Reggiani 06.01.2026 Clicca qui per leggere questo articolo in italiano In Roman mythology, January is symbolized by Janus, the protector of beginnings and transitions. He has a torso and two faces looking in opposite directions: beginning and end, entrance and exit, before and after. He marks
3 Exhibitions to See in December
3 Exhibitions to See in December Our guide to exhibitions in Italy Di Marianna Reggiani 02.12.2025 Clicca qui per leggere questo articolo in italiano December is the month of happiness at all costs. You can find it discounted in stores, for pennies at market stalls, covered in glitter in the most refined shops. It seems everyone buys it and wants
3 Exhibitions to See in November
3 Exhibitions to See in November Our guide to exhibitions in Italy By Marianna Reggiani 04.11.2025 Clicca qui per leggere questo articolo in italiano Amid the frenzy of Artissima and Art Basel Paris, a season of openings, previews, and glittering vernissages, we propose three exhibitions for those who look to contemporary art for something calmer and less marketable: understanding, honesty,
In Italy This September: 5 Exhibitions That Talk Feminism
In Italy This September: 5 Exhibitions That Talk Feminism By Marianna Reggiani 01.09.2025 Clicca qui per leggere questo articolo in italiano End of summer, time for recaps. September is a merciless reminder that procrastination must end now, lest we risk postponing everything until January. Procrastination discourages change, and if change is urgent, it becomes an unforgivable act. We shouldn’t need
Exhibitions to See in July and August 2024 in Italy and Beyond
Exhibitions to See in July and August 2024 in Italy and Beyond Still in the post-pandemic ecstasy, the world storms out to see art exhibitions that aren’t laid flat on their computer screens. Artists had time to craft visual and spatial gems in their spare time, and it’s fortunate because our screentime-pale faces are eager to experience art like never
3 Exhibitions to See in February
3 Exhibitions to See in February Our guide to exhibitions in Italy By Marianna Reggiani 02.02.2026 Clicca qui per leggere questo articolo in italiano Among the perhaps most surprising powers of visual art is its ability to show, in ever new ways, that behind the most personal forms of expression there almost always lies a collective feeling.Inspiration, need, intuition may
3 Exhibitions to See in January
3 Exhibitions to See in January Our guide to exhibitions in Italy By Marianna Reggiani 06.01.2026 Clicca qui per leggere questo articolo in italiano In Roman mythology, January is symbolized by Janus, the protector of beginnings and transitions. He has a torso and two faces looking in opposite directions: beginning and end, entrance and exit, before and after. He marks
3 Exhibitions to See in December
3 Exhibitions to See in December Our guide to exhibitions in Italy Di Marianna Reggiani 02.12.2025 Clicca qui per leggere questo articolo in italiano December is the month of happiness at all costs. You can find it discounted in stores, for pennies at market stalls, covered in glitter in the most refined shops. It seems everyone buys it and wants
3 Exhibitions to See in November
3 Exhibitions to See in November Our guide to exhibitions in Italy By Marianna Reggiani 04.11.2025 Clicca qui per leggere questo articolo in italiano Amid the frenzy of Artissima and Art Basel Paris, a season of openings, previews, and glittering vernissages, we propose three exhibitions for those who look to contemporary art for something calmer and less marketable: understanding, honesty,
In Italy This September: 5 Exhibitions That Talk Feminism
In Italy This September: 5 Exhibitions That Talk Feminism By Marianna Reggiani 01.09.2025 Clicca qui per leggere questo articolo in italiano End of summer, time for recaps. September is a merciless reminder that procrastination must end now, lest we risk postponing everything until January. Procrastination discourages change, and if change is urgent, it becomes an unforgivable act. We shouldn’t need
Martina Zanin: Every Caress, a Blow. Between Terror and Care
Martina Zanin: Every Caress, a Blow. Between Terror and Care Di Dobroslawa Nowak 24.03.2026 Clicca qui per leggere questo articolo in italiano At the exhibition Every Caress, a Blow, on view at the Fondazione Pastificio Cerere in Rome through April 18, 2026, and curated by Antonio Grulli, Martina Zanin explores the complexity of relational dynamics.The artist observes, from a position
Why Collect Art Today?
Why Collect Art Today? Maria Vittoria Pinotti in conversation with Clara Datti, president and co-founder of the D’ARC Foundation By Maria Vittoria Pinotti 17.03.2026 Clicca qui per leggere questo articolo in italiano This is not the story of a collection, nor does it aim to recount the strategic and market choices that some believe shape the making of an art
The Poetics of the Apparatus – Rosa Barba at MAXXI
The Poetics of the Apparatus – Rosa Barba at MAXXI By Dobroslawa Nowak 25.02.2026 Clicca qui per leggere questo articolo in italiano A large yet balanced arrangement of “living” cinematic apparatus bisects the space, placing us at the heart of a peculiar laboratory. Arranged along a curved line, each object performs a meticulously designed role—within the space, in relation to
La poetica dell’apparato – Rosa Barba a MAXXI
La poetica dell’apparato – Rosa Barba a MAXXI Di Dobroslawa Nowak 25.02.2026 Click here to read this article in English Un ampio ma equilibrato allestimento di apparati cinematografici “vivi” attraversa lo spazio, ponendoci al centro di un singolare laboratorio. Ogni oggetto, disposto lungo una linea curva, svolge un ruolo meticolosamente progettato — all’interno dello spazio, in relazione agli altri e
Alessandro Gioiello, non c’è pittura senza poesia
Alessandro Gioiello, non c’è pittura senza poesia Di Maria Vittoria Pinotti 19.02.2026 Click here to read this article in English C’è da chiedersi se anche in pittura, così come nella letteratura, esista una forma di licenza poetica che possa rappresentare, ogni qual volta venga utilizzata, l’espressione sensibile di una convinta e necessaria libertà di cambiamento. Così come lo scrittore può
Alessandro Gioiello. There Is No Painting Without Poetry
Alessandro Gioiello. There Is No Painting Without Poetry Di Maria Vittoria Pinotti 19.02.2026 Clicca qui per leggere questo articolo in italiano One may wonder whether, in painting as in literature, there exists a form of poetic license that can represent, whenever it is employed, the sensitive expression of a convinced and necessary freedom to change. Just as a writer may
Guglielmo Maggini in conversation with Lorenzo Ilari
Guglielmo Maggini in conversation with Lorenzo Ilari 11.02.2026 Clicca qui per leggere questa intervista in italiano Last Saturday at Arte Fiera, at the booth of z2o Sara Zanin Gallery, I had the pleasure of interviewing Guglielmo Maggini, winner of the 2025 Talent Prize with his work Titano mio. click here to watch the video interview Guglielmo Maggini in conversation with
Guglielmo Maggini in dialogo con Lorenzo Ilari
Guglielmo Maggini in dialogo con Lorenzo Ilari 11.02.2026 Click here to read this interview in English Lo scorso sabato, ad ArteFiera, presso lo stand della galleria z2o Sara Zanin, ho avuto il gran piacere di intervistare Guglielmo Maggini, vincitore del Talent Prize 2025, con la sua opera: Titano Mio. clicca qui per guardare l’intervista video Guglielmo Maggini in dialogo con
Chi ha paura di Nan Goldin?
Chi ha paura di Nan Goldin? di Dobroslawa Nowak 28.01.2026 Click here to read this article in English Tra ottobre 2025 e metà febbraio 2026, Nan Goldin, insieme al curatore Fredrik Liew e ai curatori interni di HangarBicocca Roberta Tenconi e Lucia Aspesi, ha presentato This Will Not End Well, la prima mostra dedicata al suo lavoro come filmmaker. L’esposizione
(ENG) The Cultural Project Tramandars: What Must Continue
The Cultural Project Tramandars: What Must Continue By Maria Vittoria Pinotti 19.05.2026 Clicca qui per leggere questo articolo in italiano What might appear to many as an irrelevant connection — between the knowledge of the folk practices of those living on the slopes of Vesuvius and the artist residency Tramandars, founded in 2017 in Borgo Casamale, the historic center of
(ENG) Still/Moving Korean Video Art Based on Performances
(ENG) Still/ Moving: Korea Video Art Based on Performances By Dobroslawa Nowak 28.04.2026 Clicca qui per leggere questo articolo in italiano As vast as Rome’s artistic offerings may be, those who have seen many exhibitions sometimes feel the urge to step away from the various expressions of the European school and turn instead toward shows with a viscerally distinct approach—where
The Dimension of Research at The Real Academia de España en Roma
The Dimension of Research at The Real Academia de España en Roma Studio Visits With Federico Clavarino and Miguel Fructuoso By Maria Vittoria Pinotti 21.04.2026 Clicca qui per leggere questo articolo in italiano Which foreign art institutions are able to actively and meaningfully shape the cultural environment of a historic metropolis such as Rome? An unruly and visionary city, Rome
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti By Marianna Reggiani 14.04.2026 Clicca qui per leggere questo articolo in italiano The canvases overflow in Cannon Fodder, the first solo exhibition by Giuditta Branconi in an institutional space. Through a painting practice based on the accumulation of signs and symbols, the young artist saturates the space, erasing any hierarchy between styles,
Martina Zanin: Every Caress, a Blow. Between Terror and Care
Martina Zanin: Every Caress, a Blow. Between Terror and Care Di Dobroslawa Nowak 24.03.2026 Clicca qui per leggere questo articolo in italiano At the exhibition Every Caress, a Blow, on view at the Fondazione Pastificio Cerere in Rome through April 18, 2026, and curated by Antonio Grulli, Martina Zanin explores the complexity of relational dynamics.The artist observes, from a position
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A Selection of Featured Galleries: / Una selezione di gallerie in evidenza:
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
lorenzelli arte, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
We collaborate with offseen, a platform dedicated to mapping exhibitions and exhibition spaces. The project collects and geolocates current and past exhibitions, making them accessible through an interactive map and an archive.
This collaboration helps expand the visibility of exhibitions and provides a tool for navigating the contemporary exhibition landscape. Read More
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Curated Section / Sezione Curata
Curated Section / Sezione Curata
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti
Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma
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