Always keeping you in the loop with the curated selection of Italy's best art exhibitions
Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy
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3 Exhibitions to See in February
3 Exhibitions to See in February Our guide to exhibitions in Italy By Marianna Reggiani 02.02.2026 Clicca qui per leggere questo articolo in italiano Among the perhaps most surprising powers of visual art is its ability to show, in ever new ways, that behind the most personal forms of expression there almost always lies a collective feeling.Inspiration, need, intuition may
3 Exhibitions to See in January
3 Exhibitions to See in January Our guide to exhibitions in Italy By Marianna Reggiani 06.01.2026 Clicca qui per leggere questo articolo in italiano In Roman mythology, January is symbolized by Janus, the protector of beginnings and transitions. He has a torso and two faces looking in opposite directions: beginning and end, entrance and exit, before and after. He marks
3 Exhibitions to See in December
3 Exhibitions to See in December Our guide to exhibitions in Italy Di Marianna Reggiani 02.12.2025 Clicca qui per leggere questo articolo in italiano December is the month of happiness at all costs. You can find it discounted in stores, for pennies at market stalls, covered in glitter in the most refined shops. It seems everyone buys it and wants
3 Exhibitions to See in February
3 Exhibitions to See in February Our guide to exhibitions in Italy By Marianna Reggiani 02.02.2026 Clicca qui per leggere questo articolo in italiano Among the perhaps most surprising powers of visual art is its ability to show, in ever new ways, that behind the most personal forms of expression there almost always lies a collective feeling.Inspiration, need, intuition may
3 Exhibitions to See in January
3 Exhibitions to See in January Our guide to exhibitions in Italy By Marianna Reggiani 06.01.2026 Clicca qui per leggere questo articolo in italiano In Roman mythology, January is symbolized by Janus, the protector of beginnings and transitions. He has a torso and two faces looking in opposite directions: beginning and end, entrance and exit, before and after. He marks
3 Exhibitions to See in December
3 Exhibitions to See in December Our guide to exhibitions in Italy Di Marianna Reggiani 02.12.2025 Clicca qui per leggere questo articolo in italiano December is the month of happiness at all costs. You can find it discounted in stores, for pennies at market stalls, covered in glitter in the most refined shops. It seems everyone buys it and wants
Guglielmo Maggini in conversation with Lorenzo Ilari
Guglielmo Maggini in conversation with Lorenzo Ilari 11.02.2026 Clicca qui per leggere questa intervista in italiano Last Saturday at Arte Fiera, at the booth of z2o Sara Zanin Gallery, I had the pleasure of interviewing Guglielmo Maggini, winner of the 2025 Talent Prize with his work Titano mio. click here to watch the video interview Guglielmo Maggini in conversation with
Guglielmo Maggini in dialogo con Lorenzo Ilari
Guglielmo Maggini in dialogo con Lorenzo Ilari 11.02.2026 Click here to read this interview in English Lo scorso sabato, ad ArteFiera, presso lo stand della galleria z2o Sara Zanin, ho avuto il gran piacere di intervistare Guglielmo Maggini, vincitore del Talent Prize 2025, con la sua opera: Titano Mio. clicca qui per guardare l’intervista video Guglielmo Maggini in dialogo con
Chi ha paura di Nan Goldin?
Chi ha paura di Nan Goldin? di Dobroslawa Nowak 28.01.2026 Click here to read this article in English Tra ottobre 2025 e metà febbraio 2026, Nan Goldin, insieme al curatore Fredrik Liew e ai curatori interni di HangarBicocca Roberta Tenconi e Lucia Aspesi, ha presentato This Will Not End Well, la prima mostra dedicata al suo lavoro come filmmaker. L’esposizione
Who’s Afraid of Nan Goldin?
Who’s Afraid of Nan Goldin? by Dobroslawa Nowak 28.01.2026 Clicca qui per leggere questo articolo in italiano Between October 2025 and mid-February 2026, Nan Goldin, together with curator Fredrik Liew and HangarBicocca’s in-house curators Roberta Tenconi and Lucia Aspesi, presented This Will Not End Well, the first exhibition dedicated to her work as a filmmaker. The show featured a large
Matèria: Photography is Political—Positive and Constructive Dissent
Matèria: Photography is Political—Positive and Constructive Dissent By Maria Vittoria Pinotti 21.01.2026 Clicca qui per leggere questo articolo in italiano When a project does not close in on itself but opens up to the world through photography as a form of feeling—not as a reassuring perception, but as an experience of a problem—it becomes capable of conveying partial political readings,
Matèria, la fotografia è politica: dissenso positivo e costruttivo
Matèria, la fotografia è politica: dissenso positivo e costruttivo Di Maria Vittoria Pinotti 21.01.2026 Click here to read this article in English Quando un progetto non si chiude in sé stesso, ma si apre al mondo attraverso la fotografia come forma di sentimento — ovvero non come percezione rassicurante, bensì come esperienza di un problema —, diventa capace di raccontare
Fantastica ma non troppo (in italiano)
Fantastica ma non troppo (in italiano) di Dobroslawa Nowak 24.12.2025 Click here to read the English version Fantastica affronta il primo quarto del ventunesimo secolo nell’arte italiana come un insieme di prospettive plurali piuttosto che come una narrazione lineare. Le opere di cinquantatré artisti, nati tra gli anni ’60 e la fine degli anni ’90, sono organizzate lungo cinque percorsi
Fantastica ma non troppo (in English)
Fantastica ma non troppo (in English) by Dobroslawa Nowak 24.12.2025 Clicca qui per leggere la versione italiana Fantastica approaches the first quarter of the twenty-first century in Italian art as a field of plural positions rather than a linear narrative. Works by fifty-four artists, born between the 1960s and the late 1990s, are arranged along five curatorial paths shaped by
Why Write About Art
Why Write About Art by Maria Vittoria Pinotti Clicca qui per leggere la versione italiana When we read words about art, we are often immediately captivated, as we are not only guided through the observer’s gaze but also invited to reflect on what their memory and thoughts have grasped and embraced. In this sense, writing—particularly writing on art — differs
The Dimension of Research at The Real Academia de España en Roma
The Dimension of Research at The Real Academia de España en Roma Studio Visits With Federico Clavarino and Miguel Fructuoso By Maria Vittoria Pinotti 21.04.2026 Clicca qui per leggere questo articolo in italiano Which foreign art institutions are able to actively and meaningfully shape the cultural environment of a historic metropolis such as Rome? An unruly and visionary city, Rome
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti
Giuditta Branconi, Cannon Fodder at the Collezione Maramotti By Marianna Reggiani 14.04.2026 Clicca qui per leggere questo articolo in italiano The canvases overflow in Cannon Fodder, the first solo exhibition by Giuditta Branconi in an institutional space. Through a painting practice based on the accumulation of signs and symbols, the young artist saturates the space, erasing any hierarchy between styles,
Martina Zanin: Every Caress, a Blow. Between Terror and Care
Martina Zanin: Every Caress, a Blow. Between Terror and Care Di Dobroslawa Nowak 24.03.2026 Clicca qui per leggere questo articolo in italiano At the exhibition Every Caress, a Blow, on view at the Fondazione Pastificio Cerere in Rome through April 18, 2026, and curated by Antonio Grulli, Martina Zanin explores the complexity of relational dynamics.The artist observes, from a position
Why Collect Art Today?
Why Collect Art Today? Maria Vittoria Pinotti in conversation with Clara Datti, president and co-founder of the D’ARC Foundation By Maria Vittoria Pinotti 17.03.2026 Clicca qui per leggere questo articolo in italiano This is not the story of a collection, nor does it aim to recount the strategic and market choices that some believe shape the making of an art
The Poetics of the Apparatus – Rosa Barba at MAXXI
The Poetics of the Apparatus – Rosa Barba at MAXXI By Dobroslawa Nowak 25.02.2026 Clicca qui per leggere questo articolo in italiano A large yet balanced arrangement of “living” cinematic apparatus bisects the space, placing us at the heart of a peculiar laboratory. Arranged along a curved line, each object performs a meticulously designed role—within the space, in relation to
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A Selection of Featured Galleries: / Una selezione di gallerie in evidenza:
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
lorenzelli arte, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
We collaborate with offseen, a platform dedicated to mapping exhibitions and exhibition spaces. The project collects and geolocates current and past exhibitions, making them accessible through an interactive map and an archive.
This collaboration helps expand the visibility of exhibitions and provides a tool for navigating the contemporary exhibition landscape. Read More
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Curated Section / Sezione Curata
Curated Section / Sezione Curata
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti
Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma
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