Always keeping you in the loop with the curated selection of Italy's best art exhibitions
Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy
“Storm” (trad. dal inglese “Tempesta”): Verso “una nuova forma di qualcosa teoricamente già noto”.
“Storm” (trad. dal inglese “Tempesta”): Verso “una nuova forma di qualcosa teoricamente già noto”. Denis Maksimov dialoga con Paweł Sakowicz Click here to read this article in English La coreografia e la danza di Paweł Sakowicz esemplificano il linguaggio del corpo. Il suo nuovo lavoro, “Storm”, è presentato nell’ambito di “Memories of Water, Memories of Art”, evento organizzato e curato
Storm: Towards “A New Shape of a Theoretically Already Known Thing.”
Storm: Towards “A New Shape of a Theoretically Already Known Thing.” Denis Maksimov in conversation with Paweł Sakowicz Clicca qui per leggere questo articolo in italiano Paweł Sakowicz’s choreography and dance exemplify the language of the body. His new work, Storm, is presented in Memories of Water, Memories of Art, convened and curated by the founder of Arts Territory, Kasia
The Rediscovered Soul of a Masterpiece
The Rediscovered Soul of a Masterpiece Bridging the past and present through immersive suggestions, Robert Wilson’s “MOTHER” breathes new light and life into Michelangelo’s Pietà Rondanini’s timeless masterpiece, offering a bold and touching reinterpretation of one of Milan’s eternal symbols. Article by Alessia Baranzini Clicca qui per leggere questo articolo in italiano From the womb of the Apuan Alps, between
L’anima ritrovata di un capolavoro
L’anima ritrovata di un capolavoro Attraverso suggestioni sospese tra passato e presente, con l’opera “MOTHER” Robert Wilson dona nuova luce e nuova vita ad un capolavoro senza tempo, la Pietà Rondanini di Michelangelo, reinterpretando in modo inedito e coinvolgente uno dei simboli immortali della città di Milano. Articolo di Alessia Baranzini Click here to read this article in English Dal
Being Part, While Remaining Oneself
Being Part, While Remaining Oneself The Flat Massimo Carasi gallery stages an ode to Singularity as a tool of belonging and mutual recognition, claiming for human creativity the role of narrator and builder of shared meaningful paths—other than AI. Article by Alessia Baranzini Clicca qui per leggere questo articolo in italiano Nowadays, the attempt to identify diversity seems to have
Essere parte, rimanendo sé stessi
Essere parte, rimanendo sé stessi Alla galleria The Flat Massimo Carasi va in scena un’ode alla Singolarità come strumento di appartenenza e di riconoscimento reciproco, rivendicando per la creatività umana il ruolo di narratrice e costruttrice di percorsi di senso condivisi. In barba all’AI. Articolo di Alessia Baranzini Click here to read this article in English Oggigiorno il tentativo di
Spazi con il margine di dubbio
Spazi con il margine di dubbio Dobroslawa Nowak parla con Claudia Sinigaglia delle sue esplorazioni urbane a lungo termine, viaggi oltreoceano che stimolano pensieri nuovi e progetti che non vogliono limitarsi a un unico mezzo. Click here to read this article in English Dobroslawa Nowak: Viaggi molto. Oltre che in Europa, hai realizzato progetti in Giappone, Hong Kong, Russia, U.A.E.,
Spaces With a Room for Doubt
Spaces With a Room for Doubt Dobroslawa Nowak talks with Claudia Sinigaglia about her long-term urban explorations, thought-provoking cross-ocean travels, and projects that don’t want to be contained in a single medium. Clicca qui per leggere questo articolo in italiano Dobroslawa Nowak: You travel a lot. Besides Europe, you have carried out projects in Japan, Hong Kong, Russia, the U.A.E.,
You, looking, are not “the other,” just as the others aren’t, whether you like it or not.
You, looking, are not “the other,” just as the others aren’t, whether you like it or not. clicca qui per leggere questo articolo in italiano THE PAUL THOREL PRIZE: OBSERVATORY ON DIGITAL PHOTOGRAPHY IN ITALY. AN INTERVIEW WITH LINA PALLOTTA. Lina Pallotta, one of the winners of the first edition of the Paul Thorel Prize, participated in the artistic residency
Guglielmo Maggini in conversation with Lorenzo Ilari
Guglielmo Maggini in conversation with Lorenzo Ilari 11.02.2026 Clicca qui per leggere questa intervista in italiano Last Saturday at Arte Fiera, at the booth of z2o Sara Zanin Gallery, I had the pleasure of interviewing Guglielmo Maggini, winner of the 2025 Talent Prize with his work Titano mio. click here to watch the video interview Guglielmo Maggini in conversation with
Guglielmo Maggini in dialogo con Lorenzo Ilari
Guglielmo Maggini in dialogo con Lorenzo Ilari 11.02.2026 Click here to read this interview in English Lo scorso sabato, ad ArteFiera, presso lo stand della galleria z2o Sara Zanin, ho avuto il gran piacere di intervistare Guglielmo Maggini, vincitore del Talent Prize 2025, con la sua opera: Titano Mio. clicca qui per guardare l’intervista video Guglielmo Maggini in dialogo con
Chi ha paura di Nan Goldin?
Chi ha paura di Nan Goldin? di Dobroslawa Nowak 28.01.2026 Click here to read this article in English Tra ottobre 2025 e metà febbraio 2026, Nan Goldin, insieme al curatore Fredrik Liew e ai curatori interni di HangarBicocca Roberta Tenconi e Lucia Aspesi, ha presentato This Will Not End Well, la prima mostra dedicata al suo lavoro come filmmaker. L’esposizione
Who’s Afraid of Nan Goldin?
Who’s Afraid of Nan Goldin? by Dobroslawa Nowak 28.01.2026 Clicca qui per leggere questo articolo in italiano Between October 2025 and mid-February 2026, Nan Goldin, together with curator Fredrik Liew and HangarBicocca’s in-house curators Roberta Tenconi and Lucia Aspesi, presented This Will Not End Well, the first exhibition dedicated to her work as a filmmaker. The show featured a large
Matèria: Photography is Political—Positive and Constructive Dissent
Matèria: Photography is Political—Positive and Constructive Dissent By Maria Vittoria Pinotti 21.01.2026 Clicca qui per leggere questo articolo in italiano When a project does not close in on itself but opens up to the world through photography as a form of feeling—not as a reassuring perception, but as an experience of a problem—it becomes capable of conveying partial political readings,
Publish on The Italian Art Guide
Showcasing an exhibition? We’d love to hear about it. Whether you’re an artist, gallery, or an unexpected creative space, you’re welcome here.
We engage a community of over 14 thousand people daily, bringing your work to a wide, appreciative audience.
Submit your exhibition details with the button below.
A Selection of Featured Galleries: / Una selezione di gallerie in evidenza:
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
lorenzelli arte, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
We collaborate with offseen, a platform dedicated to mapping exhibitions and exhibition spaces. The project collects and geolocates current and past exhibitions, making them accessible through an interactive map and an archive.
This collaboration helps expand the visibility of exhibitions and provides a tool for navigating the contemporary exhibition landscape. Read More
Recently published on offseen:
Curated Section / Sezione Curata
Curated Section / Sezione Curata
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti
Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma
MEDIA PARTNERSHIPS
EDITORIAL SUPPORT
COLLABORATIONS
MEDIA PARTNERSHIPS
EDITORIAL SUPPORT
COLLABORATIONS
