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Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy
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3 Exhibitions to See in November
3 Exhibitions to See in November Our guide to exhibitions in Italy By Marianna Reggiani 04.11.2025 Clicca qui per leggere questo articolo in italiano Amid the frenzy of Artissima and Art Basel Paris, a season of openings, previews, and glittering vernissages, we propose three exhibitions for those who look to contemporary art for something calmer and less marketable: understanding, honesty,
In Italy This September: 5 Exhibitions That Talk Feminism
In Italy This September: 5 Exhibitions That Talk Feminism By Marianna Reggiani 01.09.2025 Clicca qui per leggere questo articolo in italiano End of summer, time for recaps. September is a merciless reminder that procrastination must end now, lest we risk postponing everything until January. Procrastination discourages change, and if change is urgent, it becomes an unforgivable act. We shouldn’t need
Exhibitions to See in July and August 2024 in Italy and Beyond
Exhibitions to See in July and August 2024 in Italy and Beyond Still in the post-pandemic ecstasy, the world storms out to see art exhibitions that aren’t laid flat on their computer screens. Artists had time to craft visual and spatial gems in their spare time, and it’s fortunate because our screentime-pale faces are eager to experience art like never
3 Exhibitions to See in November
3 Exhibitions to See in November Our guide to exhibitions in Italy By Marianna Reggiani 04.11.2025 Clicca qui per leggere questo articolo in italiano Amid the frenzy of Artissima and Art Basel Paris, a season of openings, previews, and glittering vernissages, we propose three exhibitions for those who look to contemporary art for something calmer and less marketable: understanding, honesty,
In Italy This September: 5 Exhibitions That Talk Feminism
In Italy This September: 5 Exhibitions That Talk Feminism By Marianna Reggiani 01.09.2025 Clicca qui per leggere questo articolo in italiano End of summer, time for recaps. September is a merciless reminder that procrastination must end now, lest we risk postponing everything until January. Procrastination discourages change, and if change is urgent, it becomes an unforgivable act. We shouldn’t need
Exhibitions to See in July and August 2024 in Italy and Beyond
Exhibitions to See in July and August 2024 in Italy and Beyond Still in the post-pandemic ecstasy, the world storms out to see art exhibitions that aren’t laid flat on their computer screens. Artists had time to craft visual and spatial gems in their spare time, and it’s fortunate because our screentime-pale faces are eager to experience art like never
Perché scrivere di arte
Perché scrivere di arte di Maria Vittoria Pinotti Click here to read the English version È probabile che si venga sfiorati da un immediato coinvolgimento quando leggiamo parole sull’arte, perché oltre a essere condotti negli occhi di chi ha osservato, siamo spinti a pensare cosa abbia colto e abbracciato la sua memoria e il suo pensiero. Perciò la scrittura, soprattutto
Memories of Water, Memories of Air
Memories of Water, Memories of Air International artists sing chants for the community in Venice. Interview by Marianna Reggiani Clicca qui per leggere questo articolo in italiano Arts Territory brings an immersive project on contemporary emergencies to Venice. With the support of the Polish presidency of the Council of the European Union, the major exhibition curated by Kasia Sobucka arrives
Memories of Water, Memories of Air
Memories of Water, Memories of Air A Venezia, artisti internazionali intonano canti per la collettività. Intervista di Marianna Reggiani Click here to read this interview in English Arts Territory porta a Venezia un progetto immersivo sulle emergenze contemporanee. Con il supporto della Presidenza Polacca del Consiglio Europeo, la grande mostra a cura di Kasia Sobucka arriva in Laguna. Se si
“Storm” (trad. dal inglese “Tempesta”): Verso “una nuova forma di qualcosa teoricamente già noto”.
“Storm” (trad. dal inglese “Tempesta”): Verso “una nuova forma di qualcosa teoricamente già noto”. Denis Maksimov dialoga con Paweł Sakowicz Click here to read this article in English La coreografia e la danza di Paweł Sakowicz esemplificano il linguaggio del corpo. Il suo nuovo lavoro, “Storm”, è presentato nell’ambito di “Memories of Water, Memories of Art”, evento organizzato e curato
Storm: Towards “A New Shape of a Theoretically Already Known Thing.”
Storm: Towards “A New Shape of a Theoretically Already Known Thing.” Denis Maksimov in conversation with Paweł Sakowicz Clicca qui per leggere questo articolo in italiano Paweł Sakowicz’s choreography and dance exemplify the language of the body. His new work, Storm, is presented in Memories of Water, Memories of Art, convened and curated by the founder of Arts Territory, Kasia
The Rediscovered Soul of a Masterpiece
The Rediscovered Soul of a Masterpiece Bridging the past and present through immersive suggestions, Robert Wilson’s “MOTHER” breathes new light and life into Michelangelo’s Pietà Rondanini’s timeless masterpiece, offering a bold and touching reinterpretation of one of Milan’s eternal symbols. Article by Alessia Baranzini Clicca qui per leggere questo articolo in italiano From the womb of the Apuan Alps, between
L’anima ritrovata di un capolavoro
L’anima ritrovata di un capolavoro Attraverso suggestioni sospese tra passato e presente, con l’opera “MOTHER” Robert Wilson dona nuova luce e nuova vita ad un capolavoro senza tempo, la Pietà Rondanini di Michelangelo, reinterpretando in modo inedito e coinvolgente uno dei simboli immortali della città di Milano. Articolo di Alessia Baranzini Click here to read this article in English Dal
Being Part, While Remaining Oneself
Being Part, While Remaining Oneself The Flat Massimo Carasi gallery stages an ode to Singularity as a tool of belonging and mutual recognition, claiming for human creativity the role of narrator and builder of shared meaningful paths—other than AI. Article by Alessia Baranzini Clicca qui per leggere questo articolo in italiano Nowadays, the attempt to identify diversity seems to have
Essere parte, rimanendo sé stessi
Essere parte, rimanendo sé stessi Alla galleria The Flat Massimo Carasi va in scena un’ode alla Singolarità come strumento di appartenenza e di riconoscimento reciproco, rivendicando per la creatività umana il ruolo di narratrice e costruttrice di percorsi di senso condivisi. In barba all’AI. Articolo di Alessia Baranzini Click here to read this article in English Oggigiorno il tentativo di
La poetica dell’apparato – Rosa Barba a MAXXI
La poetica dell’apparato – Rosa Barba a MAXXI Di Dobroslawa Nowak 25.02.2026 Click here to read this article in English Un ampio ma equilibrato allestimento di apparati cinematografici “vivi” attraversa lo spazio, ponendoci al centro di un singolare laboratorio. Ogni oggetto, disposto lungo una linea curva, svolge un ruolo meticolosamente progettato — all’interno dello spazio, in relazione agli altri e
Alessandro Gioiello, non c’è pittura senza poesia
Alessandro Gioiello, non c’è pittura senza poesia Di Maria Vittoria Pinotti 19.02.2026 Click here to read this article in English C’è da chiedersi se anche in pittura, così come nella letteratura, esista una forma di licenza poetica che possa rappresentare, ogni qual volta venga utilizzata, l’espressione sensibile di una convinta e necessaria libertà di cambiamento. Così come lo scrittore può
Alessandro Gioiello. There Is No Painting Without Poetry
Alessandro Gioiello. There Is No Painting Without Poetry Di Maria Vittoria Pinotti 19.02.2026 Clicca qui per leggere questo articolo in italiano One may wonder whether, in painting as in literature, there exists a form of poetic license that can represent, whenever it is employed, the sensitive expression of a convinced and necessary freedom to change. Just as a writer may
Guglielmo Maggini in conversation with Lorenzo Ilari
Guglielmo Maggini in conversation with Lorenzo Ilari 11.02.2026 Clicca qui per leggere questa intervista in italiano Last Saturday at Arte Fiera, at the booth of z2o Sara Zanin Gallery, I had the pleasure of interviewing Guglielmo Maggini, winner of the 2025 Talent Prize with his work Titano mio. click here to watch the video interview Guglielmo Maggini in conversation with
Guglielmo Maggini in dialogo con Lorenzo Ilari
Guglielmo Maggini in dialogo con Lorenzo Ilari 11.02.2026 Click here to read this interview in English Lo scorso sabato, ad ArteFiera, presso lo stand della galleria z2o Sara Zanin, ho avuto il gran piacere di intervistare Guglielmo Maggini, vincitore del Talent Prize 2025, con la sua opera: Titano Mio. clicca qui per guardare l’intervista video Guglielmo Maggini in dialogo con
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A Selection of Featured Galleries: / Una selezione di gallerie in evidenza:
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
A+B Gallery, Brescia
Mo.Ca – Centro per le Nuove Culture, Brescia
The Address Gallery, Brescia
Spazio Marameo, Firenze
Campo XS, Genova
Tenuta dello Scompiglio, Lucca
DISPLAY, Parma
ADA Project, Roma
Istituto Culturale Coreano, Roma
Galleria Richter, Roma
STUDIOLO77, Roma
T293, Roma
Anni Wu Gallery, Milano
banquet gallery, Milano
C+N Gallery CANEPANERI, Milano
Galleria Christian Stein, Milano
FRENCH PLACE, Milano
Galleria Giovanni Bonelli, Milano
Litostudio, Milano
lorenzelli arte, Milano
Raffaella Cortese, Milano
RIBOT, Milano
THE FLAT – Massimo Carasi, Milano
Fondazione Made in Cloister, Napoli
Galerie Gisela Capitain, Napoli
Magazzino 26, Trieste
A plus A Gallery, Venezia
Cassina Projects, Venezia
We collaborate with offseen, a platform dedicated to mapping exhibitions and exhibition spaces. The project collects and geolocates current and past exhibitions, making them accessible through an interactive map and an archive.
This collaboration helps expand the visibility of exhibitions and provides a tool for navigating the contemporary exhibition landscape. Read More
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Curated Section / Sezione Curata
Curated Section / Sezione Curata
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti
Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma
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