LUMPEN VOID   LUMPEN VOID is a poetic excavation of absence, liminality, and the inadequacy of symbolic frameworks to capture the real. Herkenhoener’s practice arises from the wreckage of language, where articulation disintegrates, significance unspools, and raw experience defies systematization. At once a descent into interiority and a plunge into

Spirito Sangue, a solo exhibition by Lorenzo Montinaro curated by Maria Abramenko. Lorenzo Montinaro turns his gaze toward humanity as inherently sinful, a theme reflected throughout the exhibition’s works in various forms. The title Spirito Sangue (“Spirit Blood”) brings humanity back down to earth, stripping away any idealization and restoring it to its fragile material essence. Blood, spirit, memory: these are the invisible materials that constitute the exhibition.

Through the deeply personal and diverse research of artists Bram Braam (*1980, Netherlands), Giovanni de Cataldo (*1990, Rome), Inma Femenía (*1985, Pego), Tycjan Knut (*1985, Warsaw), Vikenti Komitski (*1983, Sofia), and Alessandro Vizzini (*1985, Cagliari), MEMBRANE seeks to investigate the relational space in which matter becomes a configuration of the relationship between subjects and objects. Not merely surfaces, but membranes understood as sites of mediation, where even time becomes material space—a living environment for expression, transmission, and archiving.

Qui giace un fulmine caduto   PreludeQui giace un fulmine caduto; I repeat these words mechanically in my head. I think of ancient civilizations of uncertain origin. It is said that for a long time these people looked to the sky to know the future, observed and studied celestial geometries,

oggetto, scultura, parola, disegno   La mostra è caratterizzata dal dialogo fra quattro opere per artista, di cui alcune site specific che permetteranno di indagare la libertà espressiva di ciascun artista e la loro necessità di praticare tutte le tecniche – dal disegno all’assemblaggio, dall’installazione alla pittura monocroma, dal neon

OIL VOID   Contemporary Cluster is pleased to announce OIL VOID, the first solo show by Jonathan Vivacqua (Erba, 1986) at the gallery. The exhibition, opening on Thursday, November 7, marks the artist’s return to the city of Rome with a body of site-specific works in dialogue with the architecture

Fatmah   Fatmah ( فاطمة ) emerges at the inauguration of the new spaces of the gallery as a melting pot of meanings, deeply rooted in the traditions of the Middle East, as a symbol rich in stories and interpretations, which reverberate through narratives and rituals. To align with Fatmah

Tappa Fissa   Connecting with Tappa Fissa by Flavio Orlando means embarking on a journey through the landmarks and obligatory stops that punctuate the rhythm of life. The starting point lies in the choice of subjects, which focuses on the artist’s generation, that of the new thirty-somethings. This developmental phase