Revelations of Divine Love
Hyperobjects is thrilled to inaugurate the first event of the Hembryo 2025 exhibition program, To create a small flower, with the performance Revelations of Divine Love by VVXXii & Cityofbrokendolls, featuring sound by Meuko! Meuko! curated by Camilla Giaccio Darias . Following the open call The Anthropocene Will Collapse, a jury composed of philosopher Timothy Morton, researcher and writer Laura Tripaldi, artists Evelyn Natalia Bencicova and CROSSLUCID, and curator and scholar Ginevra Ludovici, selected four artists who will transform Hembryo into a living installation—envisioning new affective landscapes beyond the Anthropocene.
ALTROVE
Tre artisti — Federico Catagnoli, Margherita Marzani e Mauro Valsecchi — ci invitano a esplorare un altrove che sfugge al visibile, che si insinua tra le pieghe della memoria e della percezione. Le loro poetiche, seppur distinte, convergono in una comune indagine sull’archetipo, sulla sensorialità e sulla natura elusiva della realtà. Insieme, ci guidano oltre la soglia del tangibile, là dove il ricordo si fa visione e la visione si fa interrogativo.
Memoir of a Needle
Palo Gallery is pleased to present Memoir of a Needle, the U.S. debut of Italian artist Roberto Maria Lino, on view from 26 June to 8 August 2025.
Dialectics of Chaos, Echelons of Time
Dialectics of Chaos, Echelons of Time Panorama presents “Dialectics of Chaos, Echelons of Time”, the first solo exhibition in Italy by Andrea Knezović.Part of the Horizons series, the show is curated by Venice-based independent curator Giulia Menegale, invited by Panorama following a period of local research and public activations. This forms part of Panorama’s […]
Alles in Allem
Alles in Allem Cassina Projects is delighted to present “Alles in Allem,” the second solo show by artists Gert & Uwe Tobias (*1973) with the gallery. Among the diverse media approached by the brothers, this exhibition brings up a dialogue between a group of selected glazed ceramics which occupy the center of the gallery […]
INNER FOREST | Francesca Rossello
Viviamo in un’epoca caratterizzata da vite frenetiche e spesso alienanti, INNER FOREST riflette sull’idea, e la necessità, di una riconnessione con la natura e le sue forme, intesa come un rifugio dal ritmo accelerato e incessante della vita quotidiana. Qui il tempo e il silenzio diventano dimensioni da riscoprire. L’installazione site-specific INNER FOREST dell’artista Francesca Rossello, curata da Margaret Sgarra, è il quarto progetto ospitato nello spazio espositivo dell’associazione Giallo Menta, l’ex-Edicola è un luogo abbandonato da oltre 40 anni che vive un processo di rigenerazione urbana a base culturale attraverso interventi di arte contemporanea. INNER FOREST fa parte del progetto ex-Edicola promosso e finanziato da Regione Toscana nell’ambito del bando Toscanaincontemporanea2025
CAN YOU HEAR ME? OVER
CAN YOU HEAR ME? OVER CAN YOU HEAR ME? OVER prende in prestito il linguaggio della comunicazione radiofonica non solo per delineare l’estetica visiva dell’esposizione, ma anche per strutturare l’impianto concettuale. La mostra si configura infatti come un un sistema di trasmissione instabile, attraversato da interferenze, carenze di segnale e codici distorti. “Can you hear […]
PRIMITIVE LEARNING
Filippo Sciascia’s work consistently navigates the intersection between art, science, philosophy, and technology. Light, matter, and image become tools for exploring the threshold between perception and knowledge, from the primal instinct to see to the evolved structures of contemporary representation.
Pittura Dorma
Pittura Dorma “Pittura Dorma,” the fifth exhibition at the gallery by Luca Grechi (1985, Grosseto), brings together paintings on canvas, ceramics, and a group of wooden sculptures, and represents a moment of reflection and awareness on the current state of the artist’s research.”The title alludes to the moment preceding the artistic insight, in which the […]
Bestia nel cuore
Through a series of works such as drawings on antique paper and oil paintings, Molignani and Erba examine medieval and Renaissance iconography from differing yet kindred perspectives, focusing particularly on its function, legibility, and evocative potential, while reinterpreting its symbols and figures in the present. However, the works on display do not merely evoke the past with nostalgia; instead, they engage with it in a way that is respectful, poetic, and at once playful and visionary. In the series Achiappa pulci (Flea Catchers, 2025–ongoing), Eleonora Molignani delicately illustrates a Renaissance fashion trend common among Italian courts: the use of sable fur as ornamentation. Though once a symbol of elegance, the image conjures a decadent aesthetic in which the animal, through acts of concealment, becomes visible by attempting not to be seen. With his Reliquaries and masks of penitent souls, Olmo Erba delves into the cult of saints and folk traditions, exploring their symbolic and hagiographic meanings and drawing attention to the sacred and narrative value of the image. In the project room, their individual research paths converge in a video work titled Al posto delle fragole (2024), created jointly by the two artists. The performance once again reflects a theme dear to both — and present in the works in the main room — that of repetitive gesture. In a setting suspended between ritual and intimate poetry, Bestia nel cuore (Beast in the Heart) invites visitors to see the past as fertile ground, still capable of informing and enriching today’s artistic landscapes.