Always keeping you in the loop with the curated selection of Italy's best art exhibitions
Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy
Spaces With a Room for Doubt
Spaces With a Room for Doubt Dobroslawa Nowak talks with Claudia Sinigaglia about her long-term urban explorations, thought-provoking cross-ocean travels, and projects that don’t want to be contained in a single medium. Clicca qui per leggere questo articolo in italiano Dobroslawa Nowak: You travel a lot. Besides Europe, you have carried out projects in Japan, Hong Kong, Russia, the U.A.E.,
You, looking, are not “the other,” just as the others aren’t, whether you like it or not.
You, looking, are not “the other,” just as the others aren’t, whether you like it or not. clicca qui per leggere questo articolo in italiano THE PAUL THOREL PRIZE: OBSERVATORY ON DIGITAL PHOTOGRAPHY IN ITALY. AN INTERVIEW WITH LINA PALLOTTA. Lina Pallotta, one of the winners of the first edition of the Paul Thorel Prize, participated in the artistic residency
Tu che guardi non sei “altro”, così come non lo sono loro, che ti piaccia o no.
Tu che guardi non sei “altro”, così come non lo sono loro, che ti piaccia o no. click here to read this article in English PREMIO PAUL THOREL: OSSERVATORIO SULLA FOTOGRAFIA DIGITALE IN ITALIA. INTERVISTA A LINA PALLOTTA. Lina Pallotta, tra i vincitori della prima edizione del Premio Paul Thorel, ha partecipato alla residenza artistica presso Gallerie d’Italia di Napoli,
Artissima 2024 – Visual Focus by Victoria Izurieta
Artissima 2024 – Visual Focus by Victoria Izurieta At the beginning of November, for three days in a row, Oval Torino became Italy’s hottest art spot. Artissima (“-issima” suffix stands for “the most”) is Italy’s most significant fair dedicated exclusively to contemporary art. This year’s theme — “The Era of Daydreaming” — set the stage for 189 participating Italian and
The 5 Best Pavilions of the 2024 Venice Biennale
The 5 Best Pavilions of the 2024 Venice Biennale by Marianna Reggiani Claire Fontaine, “Foreigners everywhere,” Arsenale, ph Marianna Reggiani, The Italian Art Guide; The fear of being unable to “see everything” often accompanies visitors who cross the threshold of this most anticipated artistic event in Italy and beyond. During the first day of opening, the Giardini and the Arsenale
I 5 migliori padiglioni della Biennale di Venezia 2024
I 5 migliori padiglioni della Biennale di Venezia 2024 di Marianna Reggiani Claire Fontaine, “Foreigners everywhere,” Arsenale, ph Marianna Reggiani, The Italian Art Guide; La paura di non riuscire a “vedere tutto” accompagna spesso i visitatori che varcano le soglie dell’evento artistico più atteso in Italia e non solo. Durante il primo giorno di apertura, i Giardini e l’Arsenale della
Exhibitions to See in July and August 2024 in Italy and Beyond
Exhibitions to See in July and August 2024 in Italy and Beyond Still in the post-pandemic ecstasy, the world storms out to see art exhibitions that aren’t laid flat on their computer screens. Artists had time to craft visual and spatial gems in their spare time, and it’s fortunate because our screentime-pale faces are eager to experience art like never
Fantastica ma non troppo (in English)
Fantastica ma non troppo (in English) by Dobroslawa Nowak 24.12.2025 Clicca qui per leggere la versione italiana Fantastica approaches the first quarter of the twenty-first century in Italian art as a field of plural positions rather than a linear narrative. Works by fifty-four artists, born between the 1960s and the late 1990s, are arranged along five curatorial paths shaped by
Why Write About Art
Why Write About Art by Maria Vittoria Pinotti Clicca qui per leggere la versione italiana When we read words about art, we are often immediately captivated, as we are not only guided through the observer’s gaze but also invited to reflect on what their memory and thoughts have grasped and embraced. In this sense, writing—particularly writing on art — differs
Perché scrivere di arte
Perché scrivere di arte di Maria Vittoria Pinotti Click here to read the English version È probabile che si venga sfiorati da un immediato coinvolgimento quando leggiamo parole sull’arte, perché oltre a essere condotti negli occhi di chi ha osservato, siamo spinti a pensare cosa abbia colto e abbracciato la sua memoria e il suo pensiero. Perciò la scrittura, soprattutto
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Exhibitions recently published on offseen
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti
Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti
Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti
Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma
