If All Time Is Eternally Present

The exhibition stages a nocturnal encounter between moving image, architecture, and public space on the façade of Palazzo Nervi Scattolin, transforming it into an urban exhibition device. Its ephemeral dimension opposes the logic of the city-as-monument and, at night, shifts spectatorship from consumption to encounter.
The exhibition presents video works by Williams (A Travel Guide: Black Gothic in South Korean Horror), Bennani & Barki (2 Lizards), and Shani (My Bodily Remains). Their artworks, much as the radical building did in its own time, operate as interpreters of a shared contemporary condition and embrace critical deconstruction as a generative act.