GAP Dal 26 settembre fino al 20 novembre, negli spazi della galleria ME Vannucci di Pistoia si tiene GAP, la prima mostra personale dell’artista Roberto Orlando (Palermo, 1996), a cura di Mario Bronzino, che prosegue la ricerca sul corpo vegetale come spazio simbolico. Quando si pensa a un gap il

FLOWER COLLIDER “When two worlds collide, something unexpected sprouts: possible possibilities meet and take shape.” What happens when a geometric order comes into contact with matter, colour and organic forms?Flower Collider stems from the encounter between two polarities: the flower, archetype of life and transformation, and the collider, a scientific

Koris ‘Koris’ is the first project in the second edition of the CAMPO APERTO festival, dedicated to contemporary cultures and disciplines. Fabio Marullo’s site-specific installation explores the link between territory, global logistics and transcultural language through four sculptural modules made of polyurethane foam that replicate the confined volume of a

Per volare serve l’aria “Per volare serve l’aria” is a solo exhibition by Italian artist Daniele Di Girolamo, marking his first presentation with Primo Marella Gallery. The exhibition takes its title from an essential yet often overlooked condition: air is what makes flight possible. Neither empty nor still, it is

Le parole che si intrecciano tra i ricordi i ricordi che si intrecciano tra le parole Nella Villa Augustea di Somma Vesuviana la ricerca dell’artista Roberto Maria Lino si confronta con un luogo in cui la memoria è ancora materia di ricerca, interpretazione e confronto. A partire da domenica 11

Typing Bird A seagull lands in a public office and begins writing about what it witnessed in flight. By pure chance, its gaze caught four situations across different locations in the city, from a park in the Cannaregio sestiere to the Giardini della Biennale. The unwitting protagonists are an electrician,

Coltivare la luce da fermi Galleria Richter Fine Art presents its first solo exhibition dedicated to Pierluigi Antonucci (Popoli, Pescara, 1982), entitled Coltivare la luce da fermi. The exhibition offers an insight into the artist’s pictorial imagination, which emerges from a profound and deeply felt connection to the land. This

FERAL KINDNESS “Good manners” are learned before we even know what they are. Long before we can name a rule, we have already learned to correct ourselves and prepare our bodies to become socially legible. Feral Kindness, an exhibition by Galamb Thorday and Claudia Petraroli curated by Giorgia Aprosio, reconstructs

The Skin of Time RIBOT is pleased to present The Skin of Time, the third solo exhibition at the gallery by German artist Felix Schramm (Hamburg, 1970; lives and works in Düsseldorf). The exhibition brings together a group of recent and previously unseen works that, through different artistic languages, offer

INDICATRIX In Jorge Luis Borges’s stories, the labyrinth resists the idea of rigid symmetries; it is a perceptual and interior condition, a space in which every passage alters the shape of the path, and where the exit coincides with the transformation of the one who crosses it. A similar labyrinthine