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The flying ghosts into my vertical pool The flying ghosts into my vertical pool is a solo show by Riccardo D’Avola-Corte. The artist’s research seems to sneak itself into the cracks of the ordinary, activating a constant friction between the tangible casing of things and their inner energy. Rejecting the
Specie di spazi Mimmo Scognamiglio Artecontemporanea is pleased to present the first solo exhibition by artist Evgeniya Pankratova, curated by Milena Zanetti. The exhibition, titled Specie di spazi (Species of Spaces), brings together a series of paintings and sculptures created specifically for this occasion. The exhibition’s title, intentionally taken from
Bougies de berger 22,48 m² gallery presents Bougies de berger, Marco Emmanuele’s first solo exhibition at the gallery. Conceived specifically for the space, the project transforms the gallery into a landscape crossed by glimmers, reflections, and apparitions, where light is never spectacular, but rather fragile, intermittent, and deeply sensitive. The
Salvaci, Signore! «Rammentare e resistere»: potrebbe essere questo il motto della nuova mostra di Fabio Perino, un titolo che racchiude perfettamente la condizione dei giovani artisti occidentali di oggi — sospesi tra il gesto creativo e il dubbio, e liberi finalmente di allontanarsi da giudizi di valore ormai incapaci di
Alcove – Dialoghi sulla scultura (II Edizione) The second edition of Alcove – Dialogues on Sculpture, an exhibition and cultural project curated by Ilaria Monti and Alberto Timossi, unfolds across Studio Specus and the Museo della Città e del Territorio in Cori (LT). Five artists from different generations and with
and it felt like home “and it felt like home” offers a reflection on recognition as an experience of resonance. Just as a voice takes on substance only when it finds a body capable of making it vibrate, so too is identity constituted through its relationship with that which lies
LA SCIA 5:31Text by Vincenzo EstremoWakes are a fluid-dynamic phenomenon that occurs whenever a solid body moves through a fluid. This does not happen with light, which instead leaves visible traces through an optical phenomenon usually caused by an object entering the Earth’s atmosphere. In this case, Gaia De Megni’s
hopecore hopecore takes its name from an online subculture built around images, phrases, memes and short videos associated with hope, vulnerability and emotional reassurance. Emerging within the same platforms that sustain doomscrolling and continuous distraction, hopecore circulates through small gestures of recognition: something is encountered, saved, sent to a friend,
Pim, Pam, Pum. Pum, Pam, Pim. “Pim, Pam, Pum. Pum, Pam, Pim” is a reflection on the formation of contemporary identity through unstable, fragmented, and artificially produced visions. In the exhibition, Camila Curiel presents a complex, composite universe — a constellation of traces and fragments where the intimate and the
Rifugio sonoro Rifugio Sonoro. Perfomance. Durata: 6 m 20 s. 2026. La struttura del Mercato Albani si rivela come un’architettura dell’ascolto. La sua copertura avvolge lo sguardo e i passanti come un paio di cuffie (headphones), mentre i box commerciali si convertono nelle casse acustiche di un unico, pulsante organismo
