CAN YOU HEAR ME? OVER
CAN YOU HEAR ME? OVER CAN YOU HEAR ME? OVER prende in prestito il linguaggio della comunicazione radiofonica non solo per delineare l’estetica visiva dell’esposizione, ma anche per strutturare l’impianto concettuale. La mostra si configura infatti come un un sistema di trasmissione instabile, attraversato da interferenze, carenze di segnale e codici distorti. “Can you hear […]
PRIMITIVE LEARNING
Filippo Sciascia’s work consistently navigates the intersection between art, science, philosophy, and technology. Light, matter, and image become tools for exploring the threshold between perception and knowledge, from the primal instinct to see to the evolved structures of contemporary representation.
Pittura Dorma
Pittura Dorma “Pittura Dorma,” the fifth exhibition at the gallery by Luca Grechi (1985, Grosseto), brings together paintings on canvas, ceramics, and a group of wooden sculptures, and represents a moment of reflection and awareness on the current state of the artist’s research.”The title alludes to the moment preceding the artistic insight, in which the […]
Bestia nel cuore
Through a series of works such as drawings on antique paper and oil paintings, Molignani and Erba examine medieval and Renaissance iconography from differing yet kindred perspectives, focusing particularly on its function, legibility, and evocative potential, while reinterpreting its symbols and figures in the present. However, the works on display do not merely evoke the past with nostalgia; instead, they engage with it in a way that is respectful, poetic, and at once playful and visionary. In the series Achiappa pulci (Flea Catchers, 2025–ongoing), Eleonora Molignani delicately illustrates a Renaissance fashion trend common among Italian courts: the use of sable fur as ornamentation. Though once a symbol of elegance, the image conjures a decadent aesthetic in which the animal, through acts of concealment, becomes visible by attempting not to be seen. With his Reliquaries and masks of penitent souls, Olmo Erba delves into the cult of saints and folk traditions, exploring their symbolic and hagiographic meanings and drawing attention to the sacred and narrative value of the image. In the project room, their individual research paths converge in a video work titled Al posto delle fragole (2024), created jointly by the two artists. The performance once again reflects a theme dear to both — and present in the works in the main room — that of repetitive gesture. In a setting suspended between ritual and intimate poetry, Bestia nel cuore (Beast in the Heart) invites visitors to see the past as fertile ground, still capable of informing and enriching today’s artistic landscapes.
I was real
I was real Péril en la demeure. The need to act quickly.by Eva Foucault Andrea and I talked about moving and how we like to pack our lives into boxes. There’s something aboutcontrol in the miniaturization of our surroundings. A need for closeness, too. Having everything within reach, to stay connected to our daily lives, […]
Loophole
Loophole Galleria Umberto Di Marino is pleased to announce “Loophole,” the first italian solo exhibition by Massinissa Selmani. For the occasion, the Algerian artist will present a new series of drawings, his primary medium, along with installations reshaped specifically for the spaces of Casa Di Marino. Narrating and freely constructing a world of his […]
Spirito Sangue
Spirito Sangue, a solo exhibition by Lorenzo Montinaro curated by Maria Abramenko. Lorenzo Montinaro turns his gaze toward humanity as inherently sinful, a theme reflected throughout the exhibition’s works in various forms. The title Spirito Sangue (“Spirit Blood”) brings humanity back down to earth, stripping away any idealization and restoring it to its fragile material essence. Blood, spirit, memory: these are the invisible materials that constitute the exhibition.
Waste to Paradise Memorial
Waste to Paradise Memorial For his solo exhibition at Muta Torino, Vincenzo Zancana (*1991, Salemi) creates a hybrid environment, reminiscent of a 3D model, reflecting on residual architectural and natural landscapes—spaces marked by decay and abandonment following intense human exploitation. In Waste to Paradise Memorial, works in plexiglass and aluminum, prints on acetate and […]
Marta Martynova and Stan Van Steendam – “In Good Shape” at S1
Marta Martynova and Stan Van Steendam – “In Good Shape” at S1 Solito Galleries is pleased to announce the participation in the second edition of the Napoli Gallery Weekend, by presenting “In Good Shape”, an extensive duo exhibition. The show will be held simultaneously in the two primary venues, S1 (located in the ex-Lanificio […]
Marta Martynova and Stan Van Steendam – “In Good Shape” at S2
Marta Martynova and Stan Van Steendam – “In Good Shape” at S2 Solito Galleries is pleased to announce the participation in the second edition of the Napoli Gallery Weekend, by presenting “In Good Shape”, an extensive duo exhibition. The show will be held simultaneously in the two primary venues, S1 (located in the ex-Lanificio […]
