The Skin of Time RIBOT is pleased to present The Skin of Time, the third solo exhibition at the gallery by German artist Felix Schramm (Hamburg, 1970; lives and works in Düsseldorf). The exhibition brings together a group of recent and previously unseen works that, through different artistic languages, offer

INDICATRIX In Jorge Luis Borges’s stories, the labyrinth resists the idea of rigid symmetries; it is a perceptual and interior condition, a space in which every passage alters the shape of the path, and where the exit coincides with the transformation of the one who crosses it. A similar labyrinthine

Il più bel Deserto del Mondo. Genuardi/Ruta Sabato 3 ottobre 2026, la Galleria LABS Contemporary Art è lieta di presentare la mostra personale di Genuardi/Ruta (Antonella Genuardi e Leonardo Ruta), dal titolo Il più bel Deserto del Mondo, a cura di Giuliana Benassi. Da sempre caratterizzato da una ricerca stilistica

Andrea Mauti, Right Now Fragments for Andrea (Right Now) September. Right now the metal doors, right now their opening. Memory of some shallow room behind them, a mineral wall flush As a mouth flooded with images, their technocratic swallowing Of cut and rime and drill. Right now these images turn

Neurone marino At Casa Di Marino, the cycle of projects that began with Isadora Neves Marques’ Love in the Paleolithic continues to explore the domestic sphere as a space for experimentation and research, where the artwork encounters everyday life before entering the conventions of exhibition display. With Alberto Di Fabio,

Afterimage An afterimage is what the eye continues to see after its source has disappeared: a trace that lingers on the retina, caught between presence and absence. Afterimage takes this liminal state as its starting point, bringing together two Milanese artists whose work arrives at the same instability from opposite

GAP Dal 26 settembre fino al 20 novembre, negli spazi della galleria ME Vannucci di Pistoia si tiene GAP, la prima mostra personale dell’artista Roberto Orlando (Palermo, 1996), a cura di Mario Bronzino, che prosegue la ricerca sul corpo vegetale come spazio simbolico. Quando si pensa a un gap il