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Settanta metri di rete rossa disposti attorno a settantanove pali di abete a formare un quadrato Settanta metri di rete rossa disposti attorno a settantanove pali di abete a formare un quadrato, 2026, fir poles and synthetic net, 2.1 × 3.5 × 3.5 m Elia Varini’s ephemeral artwork, conceived for
The Pictures Within There was a time when it was customary to keep a photograph inside one’s wallet: a portrait of loved ones and relatives, ubiquitous and private, kept close and folded away. Juan Bolivar’s The Pictures Within begins with that small gesture, and with the idea that an exhibition,
Anti-Ascesi La pratica pittorica è, per sua natura, un esercizio ascetico, un isolamento claustrofobico fatto di disciplina, ripetizione e rinuncia volto a far evaporare la contingenza del mondo per isolare la forma. La doppia personale di Sasha Toli e Riccardo Morandi si inserisce in questo solco tormentato, rifiutando qualsiasi tentazione
EDICOLA480 – Lino Fiorito EDICOLA480 è lieta di annunciare la prima esposizione di un artista consolidato. Per l’occasione – che avrà cadenza annuale – è stato invitato Lino Fiorito con un’istallazione site specific composta da tre elementi scultorei che inviato lo spettatore a dialogare con essi. L’opera così composta è
TECNO PERIPATETICUM It’s the path where technology stops being a tool and becomes an organism.The peripatos here isn’t just a physical walk. It’s the walk of hybridization: step by step, nature is rewritten by technique.The artists in the show don’t “represent” nature: they contaminate it. They graft it with circuits,
Fusa FUSA is the outcome of a month-long artistic residency at Officina, Montefollonico. The project takes its point of departure from the history of the village, whose ancient name, Monte a Follonica, refers to the Fullones—workers engaged in the production and dyeing of cloth. In dialogue with this material history,
Danse Macabre Associazione Culturale Dello Scompiglio presents Hans Op de Beeck’s solo exhibition entitled Danse Macabre, curated by Angel Moya Garcia and open to the public until 25 October 2026. Hans Op de Beeck works across a wide variety of media and forms, steadily developing a versatile body of works
Where We Droppin’, Boys? Where We Droppin’, Boys? is Stefano Riboli’s first solo exhibition at A+B Gallery, bringing together a selection of paintings based on images extracted from the universe of Fortnite. Through painting, the artist removes these digital fragments from their original function, transforming them into suspended landscapes that
It Is Impatient of the Knife Wisteria Sinensis traces a story, a projection, a desire. It travels through systems of naming, collecting, classifying and imagining. As it moves across geographies, it accumulates meanings that cling to it as persistently as its vines cling to their supports. Botanical knowledge emerges through
ECCPROJECTS #36 Guillaume Grando (1978, Bagnolet) lives and works in Biarritz.Guillaume Grando’s work explores the perception of movement and light through surfaces that seem to oscillate between presence and dissolution. Water, a central element in his practice, is not depicted as a simple subject but rather as a visual matrix
