Resti sensibili
Resti sensibili ‘Resti sensibili’ (Sensitive remains) is the summer group show at THEPÒSITO Art Space, the exhibition brings together the works of Laura Santamaria, Meri Tancredi, Sasha Toli and Chiara Ventura. Each body leaves a trace. Not always visible, not always voluntary, but present. In what it touches, in what it crosses, in what remains. […]
CRUISING GIARDINI
After Proiezioni d’inverno last December, the Marc Turlan returns to CASETTA STUDIO with a solo exhibition and a site-specific installation. The artist presents photographic works in poster format and on fabric installed on the external facades of the space as well as inside. The photography will dialogue with mosaic works inspired by four authors: Hervé Guibert, Sarah Kane, Pier Paolo Pasolini and Marguerite Duras, all central to Turlan’s artistic practice and poetics. The title Cruising Giardini is intended as a reference to the figure and work of Derek Jarman, British filmmaker and artist, who explored the theme of cruising in many of his works, interweaving this practice with a deep sensitivity to the natural environment. In his famous garden at Prospect Cottage, on the English coast of Dungeness, Jarman has created a space where wilderness and seascape merge with artistic and personal elements. This garden, conceived as a place of refuge and contemplation, reflects his vision of cruising as an act of exploration and connection with one’s surroundings. Jarman saw cruising not only as an erotic experience, but also as a way of inhabiting and re-signifying natural spaces, thus creating a synergy between desire, art and nature.
Andrea Magnani – 45th Pedaso Flat Red Onion Festival
Andrea Magnani – 45th Pedaso Flat Red Onion Festival 45th Pedaso Flat Red Onion Festival, a new project by Andrea Magnani curated by Matilde Galletti, unfolds as a performative environment — an architecture of gestures, clues, and presences — extending from the garden into the decaying interiors of an early 20th-century seaside villa. Here, every […]
Charles Darwin and Steve lrwin Owned the Same Tortoise
Charles Darwin and Steve lrwin Owned the Same Tortoise In 1835, Charles Darwin left the Galápagos Islands on board the Beagle, taking some giant tortoises with him. One of them, named Harriet, was born around 1830 on the island of Santa Cruz – which, curiously enough, Darwin never visited.Harriet crossed oceans, empires and continents. […]
Long Story Short
In a future still to be written and already corroded, Alessandro Di Pietro constructs a visual language that acts as a grammar of the world: a system where objects, signs, and characters intertwine to shape unstable and fragmented narrative universes. For the exhibition Long Story Short, Di Pietro presents a new installation that continues his extended research on fictional universes as sculptural methodologies. A choreographer of narrative, he layers linguistic ruins, retro-futuristic residues, and pseudo-technical signage in works that function as non-objective technologies—devices meant more to evoke than to display. The works are a kind of process initiated during his residency at Gasworks, London, and represent a continuity that interfaces with the parallel exhibition at the Zazà space. The work presented at Flip, TOMTOM (YellowWhite) T (dry), is a previously unseen triptych composed of painted, printed, and layered surfaces that evoke the aesthetics of digital interfaces, forensic evidence, or tactical maps. In these works, figures emerge like specters beneath colored films or yellowish membranes. Words surface like corrupted data or urgent inscriptions, embedded in surfaces that seem at once archival and organic. In Di Pietro’s practice—often developed in episodic chapters and world-building strategies—the exhibition takes shape not so much as a display, but as a narrative checkpoint. Long Story Short is a title, but also a coordinate—a latent scene, like a geotagged location in a logic known only to the artist and those who choose to follow the signals. The exhibition continues the artist’s investigations into “plausible monsters” and worlds of collapsed grammars, at the intersection of language, design, and sculpture. The work at Flip appears dry, yet what it contains is a vapor of time: something once wet, now encrypted.
Lorenzo Aceto – Wurzelkinder
Lorenzo Aceto – Wurzelkinder Quartz Studio is pleased to present “Wurzelkinder,” the first solo show in Turin by the Italian artist Lorenzo Aceto (Pescara, Italy, 1985). The artist explains that the exhibition title is from the children’s book Etwas von den Wurzelkinder, translated as “The Story of the Root Children.” This early 20th-century story, […]
HEY, YAY!
HEY, YAY! The project, realized concurrently with the spaces of DOCK20 in Lustenau, inhabits the grey area of the fusion of happening, concert and performance.The space is set up to disorient the spectator and make him imagine that he is attending a concert that has already taken place, merging with the moment of disassembly.The performance […]
ANGELI MURATORI
ANGELI MURATORI […] It is known that / somehow / they came across the fountain. / A sparkling liquid / gushed out./ They would gulp the stuff down / by instinct / with no understanding / and build temples / columns and arches / why / we don’t know / castles. / Okay / a […]
MO’ TE L’ACCOND
MO’ TE L’ACCOND Nel corso di questa ricerca, l’artista arriva a riconoscere una sorprendente analogia tra l’amnesia infantile e l’Alzheimer: due condizioni profondamente diverse, ma entrambe segnate da un vuoto nella memoria, da un’assenza di accesso al proprio vissuto. Lo studio di questi fenomeni rafforza in Papicchio l’idea che l’oblio non sia solo una […]
Guilty Party *in three acts*
Guilty Party *in three acts* Guilty Party *in three acts* Taking the form of a performative inquiry, the exhibition explores how mythologies—understood through Roland Barthes’ lens—transform collective emotions such as guilt, shame, and others into tools of manipulation. Myth, in Barthes’ terms, is not a lie or fiction but a depoliticized form of speech that […]