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MARIO POMPEI. ESSERE SCENOGRAFO. BOZZETTI, SCENE E COSTUMI Dal 19 settembre all’8 novembre 2026, le Sale Betto Tesei dei Musei Civici di Palazzo Pianetti a Jesi ospitano la mostra “Mario Pompei. Essere scenografo. Bozzetti, scene e costumi”. Promossa dal Comune di Jesi, l’esposizione rientra nel progetto strategico “Dal teatro al
– and the world apart, twice ( horizont ) – “The question for me was about language as a material. And about pushing the objects into a context of meaning. How to do that in the physical world? How to make objects which incorporate this process instead of being victims
This Is The End Set against the evocative backdrop of Casa della Memoria, AND Ente del Terzo Settore is presenting a new version of the exhibition This Is The End, following previous editions held at the Villa Reale in Monza, the Villa Bagatti Valsecchi in Varedo and the MO.CA –
VAT A LÈT Il 12 settembre Imagoars apre le porte a Vat a lèt, mostra collettiva degli artisti di Fondazione Malutta a cura di Gemma Turroni, che indaga il sonno come esperienza sempre più rara da custodire. Il progetto nasce nell’ambito della tesi di laurea triennale in Arti Multimediali allo
L’associazione SOPHIA NOVA presenta in anteprima nazionale “L’enigma umano: il sapere e la sua ombra” a Venezia Come possiamo risalire alle origini del pensiero umano per scoprirne la vera natura, ritrovando l’unità di un sapere, oggi frammentato in una miriade di linguaggi e discipline, così da fornire alle future generazioni
Hydor / Onar Each summer since 2000, Athens-based artist Dimitrios Antonitsis has curated Hydra School Projects, an exhibition on the Greek island. Installed throughout three classrooms and the courtyard of the local high school, this year’s edition, whose title translates to Water of Dreams (Hydor / Onar), brings together works
What Remains, What Changes With Maria Jole Serreli’s first solo exhibition in Athens, Gramma_Epsilon inaugurates the second five-year chapter of its programme. This is not a celebratory gesture, but a statement of intent. Maria Jole Serreli’s practice represents a natural extension of the curatorial vision developed by Gramma_Epsilon during its
We All Needed the Same Sun Presentata dalla School for Curatorial Studies Venice negli spazi della galleria A plus A, We All Needed the Same Sun è il progetto a cura degli studenti del Corso Internazionale in Pratiche Curatoriali e Arti Contemporanee. Dopo tre mesi di un’intensa attività di ricerca e
The wan stars danced between. Faye Wei Wei
Wine and Water Magda Blasinska’s works are heavily influenced by her upbringing in post-communist rural Poland, a period associated with shortages, restrictions and surveillance. Her paintings incorporate folkloric influences, along with memories of sensorial encounters and the agricultural landscape. Working at both intimate and large scales, her densely built-up oil
