THE ITALIAN ART GUIDE

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Your Guide Through Contemporary Art in Italy
Your Guide Through Contemporary Art in Italy

Guglielmo Maggini in dialogo con Lorenzo Ilari

Guglielmo Maggini in dialogo con Lorenzo Ilari 11.02.2026 Click here to read this interview in English Lo scorso sabato, ad ArteFiera, presso lo stand della galleria z2o Sara Zanin, ho avuto il gran piacere di intervistare Guglielmo Maggini, vincitore del Talent Prize 2025, con la sua opera: Titano Mio. clicca qui per guardare l’intervista video Guglielmo Maggini in dialogo con

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6 Art City Exhibitions You Can Still Visit (Until Spring)

6 Art City Bologna Exhibitions You Can Still Visit (Until Spring) By Marianna Reggiani 10.02.2026 Clicca qui per leggere questo articolo in italiano The 14th edition of Art City has just come to a close—the annual weekend that, coinciding with Arte Fiera, transforms the city of the Two Towers into a stage for contemporary art. More than three hundred events—ranging

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3 Exhibitions to See in February

3 Exhibitions to See in February Our guide to exhibitions in Italy By Marianna Reggiani 02.02.2026 Clicca qui per leggere questo articolo in italiano Among the perhaps most surprising powers of visual art is its ability to show, in ever new ways, that behind the most personal forms of expression there almost always lies a collective feeling.Inspiration, need, intuition may

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3 mostre da vedere a febbraio

3 mostre da vedere a febbraio La nostra guida alle mostre in Italia Di Marianna Reggiani 02.02.2026 Click here to read this article in English Tra i poteri forse più sorprendenti dell’arte visiva c’è la capacità di dimostrare, in modi sempre nuovi, che dietro la forma espressiva più personale si cela quasi sempre un sentire collettivo.L’ispirazione, il bisogno, l’intuizione possono

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Chi ha paura di Nan Goldin?

Chi ha paura di Nan Goldin? di Dobroslawa Nowak 28.01.2026 Click here to read this article in English Tra ottobre 2025 e metà febbraio 2026, Nan Goldin, insieme al curatore Fredrik Liew e ai curatori interni di HangarBicocca Roberta Tenconi e Lucia Aspesi, ha presentato This Will Not End Well, la prima mostra dedicata al suo lavoro come filmmaker. L’esposizione

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Who’s Afraid of Nan Goldin?

Who’s Afraid of Nan Goldin? by Dobroslawa Nowak 28.01.2026 Clicca qui per leggere questo articolo in italiano Between October 2025 and mid-February 2026, Nan Goldin, together with curator Fredrik Liew and HangarBicocca’s in-house curators Roberta Tenconi and Lucia Aspesi, presented This Will Not End Well, the first exhibition dedicated to her work as a filmmaker. The show featured a large

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Matèria: Photography is Political—Positive and Constructive Dissent

Matèria: Photography is Political—Positive and Constructive Dissent By Maria Vittoria Pinotti 21.01.2026 Clicca qui per leggere questo articolo in italiano When a project does not close in on itself but opens up to the world through photography as a form of feeling—not as a reassuring perception, but as an experience of a problem—it becomes capable of conveying partial political readings,

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Matèria, la fotografia è politica: dissenso positivo e costruttivo

Matèria, la fotografia è politica: dissenso positivo e costruttivo Di Maria Vittoria Pinotti 21.01.2026 Click here to read this article in English Quando un progetto non si chiude in sé stesso, ma si apre al mondo attraverso la fotografia come forma di sentimento — ovvero non come percezione rassicurante, bensì come esperienza di un problema —, diventa capace di raccontare

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3 mostre da vedere a marzo

3 mostre da vedere a marzo La nostra guida alle mostre in Italia Di Marianna Reggiani 03.03.2026 Click here to read this article in English La rabbia può unire più dell’amore. Porta all’azione, al movimento, nei migliore dei casi al cambiamento. Nell’amore invece, così come nella felicità e in tutte le sensazioni di appagamento, ci si adagia. Si sta comodi. “Se

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The Poetics of the Apparatus – Rosa Barba at MAXXI

The Poetics of the Apparatus – Rosa Barba at MAXXI By Dobroslawa Nowak 25.02.2026 Clicca qui per leggere questo articolo in italiano A large yet balanced arrangement of “living” cinematic apparatus bisects the space, placing us at the heart of a peculiar laboratory. Arranged along a curved line, each object performs a meticulously designed role—within the space, in relation to

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La poetica dell’apparato – Rosa Barba a MAXXI

La poetica dell’apparato – Rosa Barba a MAXXI Di Dobroslawa Nowak 25.02.2026 Click here to read this article in English Un ampio ma equilibrato allestimento di apparati cinematografici “vivi” attraversa lo spazio, ponendoci al centro di un singolare laboratorio. Ogni oggetto, disposto lungo una linea curva, svolge un ruolo meticolosamente progettato — all’interno dello spazio, in relazione agli altri e

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Exhibitions recently published on offseen

Read 5 offseen Exhibitions You Need to See in March

Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti

Offbeat: Reflections on Contemporary Art by Maria Vittoria Pinotti

Controcorrente: riflessioni sull’arte contemporanea
di Maria Vittoria Pinotti

Offbeat: Reflections on Contemporary Art
by Maria Vittoria Pinotti

1 Giulio Catelli, Le candele e l'uccellino, 2025, inchiostro su carta 30x21 cm, Courtesy Galleria Richter Fine Art, Roma

Giulio Catelli, Le candele e l’uccellino, 2025, inchiostro su carta 30×21 cm, Courtesy Galleria Richter Fine Art, Roma

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