Tre cani paralleli

“Tre cani paralleli” grows out of a month-long residency at Tiresia in Carrara, the international marble capital. Carrara works as studio and record: quarries, labs, workshops, the industrial belt, and two museums mark a timeline where human and geological time meet. The title combines two lines: framing the mountain’s time as parallel paths and marking a farewell to Kim, Stres, and Garibaldi — three dogs lost this year. Rather than judge the landscape or those who live from it, the work operates on its terms, letting the inhuman force of matter runs through body and intuition, where process remains open and unpredictable.
Emanuele Resce works with what’s already been through something. Scraps of iron, rural debris, and dismantled parts gather in his studio like proof of wear and use; he listens to dents and rust, then sets pieces into a quiet alignment that feels inevitable. The build follows interruptions — weight, tension, the stubborn angle of a bent pipe — and keeps every weld and fracture visible, so the object stays close to its own past. Abandoned workshops and vacant lots supply both material and atmosphere; stones, iron bars, and low tones from those sites let installations breathe with the places that shaped them. Patient, near to hand, the work speaks in the time of matter rather than the rush of display.