Dove il buio respira The exhibition “Dove il buio respira” explores the profound relationship between body, matter, and memory through an intense dialogue between light and darkness. Here, darkness does not act as a veil that subtracts, but as a presence that envelops and retains: a living substance that restores

Project Room I: Jacopo Zambello Jacopo Zambello’s artistic research moves along the edge between reality and imagination, where the ambiguity of his subjects and the insertion of unexpected elements transform the scene into a vibrant terrain, halfway between document and controlled hallucination. It is a method that structuresinterconnected thematic cycles,

Namsal Siedlecki – SUBLIME   Flip Project is pleased to present SUBLIME, a solo exhibition by Namsal Siedlecki.The dialogue between Federico Del Vecchio and Namsal Siedlecki stems from a shared history made of hybrid and independent places, of practices sustained by relationships, and of artist-run spaces that have generated meaning,

BIGOTRY IN EVOLUTION Bigotry in Evolution is an exhibition by Matteo De Caminada, first presented at Kleine Galerie Bozen, that confronts the contemporary resurgence of bigotry as a global, evolving force. Across continents, reactionary ideologies are no longer fringe; they are reorganising themselves, gaining power, and reshaping public life. What

homealone I mean, we kill horses, don’t we ?

Finché c’è Tempo Mimmo Scognamiglio Artecontemporanea gallery is pleased to open Lucrezia Roda’s solo exhibition on December 17, 2025, the date on which, 30 years earlier, the gallery opened its first Neapolitan location. After 10 years of photographic research in the industrial field, the artist presents for the first time

Venus Genetrix   Cassina Projects is thrilled to present Venus Genetrix, a cross-generational dialogue encompassing works by Claudio Massini (*1955) and Jacopo Pagin (*1988). For the occasion, a selection of large-scale compositions by Massini alongside recent paintings and blown glass vases by Pagin meet before the quiet, enduring presence of

Erika Pellicci, mi piacerebbe rimanere qui un po’ più a lungo Siamo come degli ospiti, nel guardare le fotografie di Erika Pellicci, sospesi sulla soglia di una camera privata. È uno spazio intimo, familiare ed estraneo al tempo stesso, come può esserlo una camera degli ospiti: luogo provvisorio, spesso marginale,

KOLDREN Il lavoro di Beth Caimar (Arezzo, 1990) attraversa con naturalezza scultura, pittura, calcografia e sound art, configurandosi come un unico campo di esperienza in cui i linguaggi si compenetrano. La sua pratica si colloca all’interno di un processo di individuazione, in cui gesto, materia e immagine diventano strumenti di