FOREVER YOUNG GALLERIA MACCA celebrates its tenth year of programming and is proud to present FOREVER YOUNG, a special presentation with works by MARLON DE AZAMBUJA (Brazil; lives and works in Paris), ADRIÁN S. BARÁ (Mexico; lives and works in New York City), NICOLÒ BRUNO (Italy; lives and works in

Sul mutismo dei germogli – Epochè, V edizione del festival dell’arte nomadica Abitare un luogo marginalizzato, sempre più svuotato e deprivato del suo genius loci, comporta l’assenza di quelle azioni ripetute e rituali che, in qualche misura, danno senso all’abitare. Finalità del progetto è perciò la “riaddomesticazione” di Ferentino e

LUMPEN VOID   LUMPEN VOID is a poetic excavation of absence, liminality, and the inadequacy of symbolic frameworks to capture the real. Herkenhoener’s practice arises from the wreckage of language, where articulation disintegrates, significance unspools, and raw experience defies systematization. At once a descent into interiority and a plunge into

Marco Rossi – Uno, Nessuno e Centomila   Questa mostra è la prima dopo quasi un anno dall’ultima personale a Venezia. Il titolo prende chiaramente spunto dall’omonimo romanzo di Pirandello, sfuggendo tuttavia da qualsiasi tentativo illustrativo e didascalico. La scelta iniziale è stata quella di creare un cortocircuito ironico sul

Tomorrow, yesterday and tomorrow The third year of Panorama opens with Tomorrow, yesterday and tomorrow, a solo exhibition by Maurizio Segato. In a recursive interplay of memory and fiction, the artist reinterprets the space’s past use as a souvenir shop in Campiello San Zulian. The exhibition features sculptures that reference

ll respiro nascosto delle cose. Omaggio a Hélène Nella prima sala di Palazzo Oldofredi, l’ambigua astrazione di Stuart Arends sviluppa un dialogo inedito con le imponenti costruzioni monocromatiche in metallo di Julia Mangold, dove lo spettatore è invitato a fare esperienza di luoghi improvvisamente alterati dai suoi interventi. Sulle pareti

Spin-OFF/Chronotopia   Spin-OFF is the new narrative branch of THEPÒSITO, an autonomous, lateral but connected exhibition format, which was created to inhabit experimental spaces, open to derivative stories, to deviation. As happens in television series or narrative franchises, the spin-off moves out of the main plot, but maintains its resonances,

Osso   The exhibition is the result of a conversation on language and its decay, between Fabian Herkenhoener and curator Ilaria Monti. At the core of the project is a site-specific wall writing intervention, conceived as both trace and disappearance. Don’t explain, expose yourself your refusal your irreducible drift the

BUSTS   Solo show by Mateas Pares at Piccole Cisterne Romane, FermoCurated by Lorenzo Ilari and Ludovica Cancellieri.  

Congratulations, It’s Growing   1#To moon is to stage the body as a site of refusal. If the humoresque is laughter steeped in sadness, then mooning is its perfect choreography: a brief lifting of the weight of the world, trousers down, gravity winning, absurdity revealed. The mooning body is not