Occhio, Malocchio, Prezzemolo e Carota
A neon illuminates a word, while an installation of gleaming surfaces and childish forms stands without explanation. Nearby, a duck and a book remain still, as if waiting for something.
Il difficile è dimenticare ciò che si è visto per casa (ritratto di Pescara per caso)
Sixteen years after his last solo exhibition, Matteo Fato returns to exhibit in the city where he was born and still lives. The exhibition takes shape from his connection to place, developing a reflection on the relationship between the artist and the territory. It unfolds across various sites in Pescara: from the spaces of Fondazione La Rocca, producer of the exhibition to key city museums, extending to temporary interventions in public space. Each venue reflects on intertwined themes—the natural and urban landscape, the history of Abruzzo, and the history of art—forming a personal portrait of the city. The title— What’s difficult is to forget what one has seen around the house (Portrait of Pescara by chance)—combines two quotes by Pescara-born writer Ennio Flaiano, asserting the lasting presence of the images one grows up with and is habitually surrounded by. The exhibition’s starting and returning venue, Fondazione La Rocca, hosts an anthology that brings together the themes developed in the other venues. Unpublished works created for the occasion are presented alongside earlier pieces, touching on the genres central to the artist’s practice: portraiture, landscape, still life, and d’après (reinterpretations of existing works). The diversity of media reflects Fato’s expansive approach to painting: installation, video, printmaking, and sculpture. On this occasion, Fondazione La Rocca also unveils a new space: the Project Space/FLR, a former fishermen’s cooperative shed adjacent to the main office. It houses an immersive installation conceived as an archive and Wunderkammer (chamber of wonders), bringing together a heterogeneous array of materials—from paintings and sculptures to documentation videos and study objects. The artist envisions this space as a “staging of painting” that reveals the truth of the medium.
Re:humanism 4 — Timeline Shift
Timeline Shift is the title of the group exhibition for the fourth edition of the Re:humanism Art Prize, the international contemporary art award that, since 2018, has explored the intersections between artistic practices and artificial intelligence. Curated by Daniela Cotimbo, the 2025 edition will take place at Fondazione Pastificio Cerere in Rome, a symbolic site for experimentation and research in the contemporary art scene, and will be open to the public from June 19 to July 30, 2025.
ECCPROJECTS #28
ECCPROJECTS #28 ECCPROJECTS #28 Annabell Häfner 09 June – 13 July 2025Open by appointment only ECC Project RoomVia Martiri della Libertà 210023 Chieri TO Italy Captions of the works exhibited:Annabell Häfner, Fleeting Space 4, 2025, acrylic, chalk, oil on canvas, 52 x 60 cm Annabell Häfner (1993, Bonn) lives and works in Berlin.In her artistic […]
TAPPABUCHI
Irene Baita, Tappabuchi, fotografia analogica stampata su alluminio bianco 3 mm, 30.5 x 50.3 cm © Silvia Mantellini Faieta (@silviamantellinifaieta) 📸 Marco Erpete (@marco.erpete) @irenatabai @elizfsblgg @cafferubik_official
Revelations of Divine Love
Hyperobjects is thrilled to inaugurate the first event of the Hembryo 2025 exhibition program, To create a small flower, with the performance Revelations of Divine Love by VVXXii & Cityofbrokendolls, featuring sound by Meuko! Meuko! curated by Camilla Giaccio Darias . Following the open call The Anthropocene Will Collapse, a jury composed of philosopher Timothy Morton, researcher and writer Laura Tripaldi, artists Evelyn Natalia Bencicova and CROSSLUCID, and curator and scholar Ginevra Ludovici, selected four artists who will transform Hembryo into a living installation—envisioning new affective landscapes beyond the Anthropocene.
ALTROVE
Tre artisti — Federico Catagnoli, Margherita Marzani e Mauro Valsecchi — ci invitano a esplorare un altrove che sfugge al visibile, che si insinua tra le pieghe della memoria e della percezione. Le loro poetiche, seppur distinte, convergono in una comune indagine sull’archetipo, sulla sensorialità e sulla natura elusiva della realtà. Insieme, ci guidano oltre la soglia del tangibile, là dove il ricordo si fa visione e la visione si fa interrogativo.
Memoir of a Needle
Palo Gallery is pleased to present Memoir of a Needle, the U.S. debut of Italian artist Roberto Maria Lino, on view from 26 June to 8 August 2025.
Dialectics of Chaos, Echelons of Time
Dialectics of Chaos, Echelons of Time Panorama presents “Dialectics of Chaos, Echelons of Time”, the first solo exhibition in Italy by Andrea Knezović.Part of the Horizons series, the show is curated by Venice-based independent curator Giulia Menegale, invited by Panorama following a period of local research and public activations. This forms part of Panorama’s […]
Alles in Allem
Alles in Allem Cassina Projects is delighted to present “Alles in Allem,” the second solo show by artists Gert & Uwe Tobias (*1973) with the gallery. Among the diverse media approached by the brothers, this exhibition brings up a dialogue between a group of selected glazed ceramics which occupy the center of the gallery […]