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5,700 Finished Bodies. Miriam Cahn at MACRO By Dobroslawa Nowak 04.08.2026 Clicca qui per leggere questo articolo in italiano Miriam Cahn’s immediate and spontaneous smile during the interview Still Leben (2026)1, when she is asked about the four months each year during which the sun never reaches the village of
Error as a Form of Creative Freedom: Ugo La Pietra at Fondazione La Rocca By Maria Vittoria Pinotti 21.07.2026 Clicca qui per leggere questo articolo in italiano One of the defining qualities a contemporary artist should possess is the ability to move fluidly across different disciplines, without fearing the possibility
The Venice Biennale and the Banality of Virtue By Nicola Bigliardi 17.07.2026 Among the authors selected through the open call for critical essays on the 61st Venice Biennale. Clicca qui per leggere questo articlo in italiano The Venice Biennale continues to occupy a singular position within the contemporary art system.
The Sabotage of the Major Key: Tension Between the Refusal of Spectacle and the Risk of Aesthetic Neutralization By Giulia Nestola 14.07.2026 Among the authors selected through the open call for critical essays on the 61st Venice Biennale. Clicca qui per leggere questo articolo in italiano “How could I pretend
3 Exhibitions to See in July Our guide to exhibitions in Italy By Marianna Reggiani 07.07.2026 Clicca qui per leggere questo articolo in italiano Often, the most radical form of resistance is expressed not through monumental forms, but through the evocation of categories that have historically been devalued or consigned
Rebecca: “A Sensorial Manifesto”. Benni Bosetto at Pirelli HangarBicocca in Milan By Dobroslawa Nowak 30.06.2026 Clicca qui per leggere questo articolo in italiano It is a nightmare, but a familiar one, something we have experienced so often that it no longer scares us. The anxiety that once woke us up
Among the Bonds of Many Things “With You, With Everything”: The Italian Pavilion at the 61st International Art Exhibition of La Biennale di Venezia Maria Vittoria Pinotti in conversation with Cecilia Canziani and Chiara Camoni Di Maria Vittoria Pinotti 26.06.2026 Clicca qui per leggere questo articolo in italiano It is
Letter to an Institution: The Present History of the Venice Art Biennale By Kamil Sanders 23.06.2026 Among the authors selected through the open call for critical essays on the 61st Venice Biennale. Clicca qui per leggere questo articolo in italiano 1 The historical moment from which this visual assemblage takes
The Cultural Project Tramandars: What Must Continue By Maria Vittoria Pinotti 19.05.2026 Clicca qui per leggere questo articolo in italiano What might appear to many as an irrelevant connection — between the knowledge of the folk practices of those living on the slopes of Vesuvius and the artist residency Tramandars,
The Dimension of Research at The Real Academia de España en Roma Studio Visits With Federico Clavarino and Miguel Fructuoso By Maria Vittoria Pinotti 21.04.2026 Clicca qui per leggere questo articolo in italiano Which foreign art institutions are able to actively and meaningfully shape the cultural environment of a historic
